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A machine made this from the film's audio. Names, old slang and songs are where it slips. If you spot a mistake, send the line number and the right words below — every correction makes the next transcript better.
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00:02:33 #1 Don't you realize the streets of Paris aren't safe after dark,
00:02:36 #2 with bluebeards still at large?
00:02:47 #3 It's already as dark as pitch.
00:02:49 #4 Will you hurry?
00:02:52 #5 You want us to leave and let you walk home alone?
00:02:55 #6 I mean, baby.
00:02:59 #7 But you needn't have waited for me.
00:03:01 #8 Do you hear her?
00:03:02 #9 Is this you wouldn't be scared to death
00:03:04 #10 to walk along on the streets these nights?
00:03:07 #11 Why do you suppose it is the police habit caught him?
00:03:11 #12 Whom?
00:03:13 #13 My bluebeard, of course.
00:03:14 #14 Who else is all teres terrified of?
00:03:17 #15 Oh, bluebeard. I forgot him.
00:03:19 #16 Come on, I want to get home.
00:03:30 #17 Now let's stay close together for safety.
00:03:32 #18 Constance is afraid of her own shadow.
00:03:55 #19 When are you going to give a show in the park again?
00:03:58 #20 Perhaps quite soon.
00:04:00 #21 These are my friends, Constance and Lucille.
00:04:03 #22 I forget your name.
00:04:05 #23 Gaston Morel.
00:04:06 #24 I always think of you just as a puppeteer.
00:04:09 #25 You've seen us puppet shows in the park, of course.
00:04:11 #26 No, I've missed that.
00:04:13 #27 You mean you've missed just wonderful puppet operas?
00:04:15 #28 Oh, they're great fun.
00:04:17 #29 We should like to see one sometime.
00:04:18 #30 I should like your drill.
00:04:20 #31 I haven't been showing my puppets much of late.
00:04:23 #32 It's difficult to get a crowd these evenings,
00:04:26 #33 because if there are bluebeards here,
00:04:28 #34 if you say you'll come, I'll give one tomorrow night.
00:04:31 #35 Tomorrow night?
00:04:33 #36 What do you say?
00:04:35 #37 Well, I...
00:04:35 #38 Of course you'll come.
00:04:37 #39 You're afraid of bluebeard.
00:04:39 #40 Talk to you?
00:04:40 #41 No.
00:04:41 #42 What would Bluebeard want with me?
00:04:43 #43 I should think he might find you.
00:04:45 #44 Here is his to romantic ourselves.
00:04:47 #45 You'll give the puppet show tomorrow night then?
00:04:49 #46 At the same place.
00:04:50 #47 We'll be there.
00:04:51 #48 Won't we lose seal? Here.
00:04:53 #49 Mother, where are you?
00:05:24 #50 Mother Ead having been convinced that Faust deserted her,
00:05:48 #51 and in a fit of despair having killed her child,
00:05:51 #52 finally found the courage to give herself up.
00:05:55 #53 She was tried and sentenced to prison
00:05:57 #54 where Faust with the aid of Mephistoferi is fined, Miser.
00:06:00 #55 Peter, yes, I've come. I love you.
00:06:51 #56 Even though I...
00:06:52 #57 So it's natural, she said, while I...
00:10:37 #58 I'm backstage.
00:10:48 #59 If that was a woman, you wouldn't need no string to make her talk.
00:10:51 #60 How do you make the eyes?
00:10:54 #61 Oh, the eyes. Oh, that's very simple.
00:10:56 #62 You see these two strings here.
00:10:57 #63 Well, I can lie to my people, huh?
00:10:59 #64 Very much.
00:11:01 #65 They seem quite real to me.
00:11:03 #66 They're all likenesses of people I've known.
00:11:06 #67 Metastopolies, too?
00:11:08 #68 Yes, the evil one too.
00:11:10 #69 One of the things is he's also my business manager.
00:11:14 #70 And my girry.
00:11:15 #71 She offended yours.
00:11:17 #72 She was.
00:11:19 #73 What?
00:11:20 #74 Yes, unfortunately she might have tragic ending.
00:11:23 #75 Must have been very beautiful.
00:11:28 #76 They say you'll show me how the puppets work.
00:11:31 #77 Let's get out of here.
00:11:32 #78 Didn't these people leave?
00:11:33 #79 They'll be asking endless questions.
00:11:35 #80 I can't talk, though.
00:11:47 #81 I should think in your business you like crowds.
00:11:51 #82 Does the puppeteer you mean?
00:11:53 #83 As a matter of fact, I prefer creating puppets, too, for falling them.
00:11:57 #84 You make them act so well.
00:11:59 #85 There's something in your voice that made me feel you'd suffered.
00:12:05 #86 You're very discerning.
00:12:07 #87 It's your migraery, the memory of that tragedy, isn't it?
00:12:11 #88 Pardon?
00:12:13 #89 You're keeping the tragedy alive, deliberately, aren't you?
00:12:16 #90 Why are I...?
00:12:17 #91 You wanted to forget it, you could create a new puppet.
00:12:19 #92 One that would remind you of someone else.
00:12:21 #93 Someone who might make you happy.
00:12:25 #94 Is it much trouble to create a puppet?
00:12:27 #95 It takes time.
00:12:29 #96 First time ever sketch.
00:12:31 #97 A painting? Do you paint too?
00:12:33 #98 Enough to get the effect.
00:12:35 #99 You know you have very lovely eyes.
00:12:38 #100 Would you let me make a puppet in your image?
00:12:45 #101 Would you like to?
00:12:47 #102 Very much.
00:12:52 #103 Are you trying to decide how you'll paint me?
00:12:54 #104 But you're my great costume.
00:13:14 #105 Don't you want me to make it for you?
00:13:27 #106 Looking for you.
00:13:31 #107 Is she difficult?
00:13:33 #108 When you avoid her.
00:13:35 #109 She comes back to where I'm looking for her.
00:13:38 #110 Which you won't be. Of course not.
00:13:41 #111 Good night, little boy.
00:13:42 #112 Now, uh...
00:13:43 #113 You picked up a little something?
00:13:46 #114 You need some money?
00:13:50 #115 That's for the musicians you know. For musicians?
00:13:59 #116 My word of honor.
00:14:46 #117 And what's your flirt with that girl?
00:14:49 #118 Who is she?
00:14:50 #119 The girl?
00:14:53 #120 Another, I suppose, to take my job for a few days.
00:14:56 #121 A few weeks.
00:14:57 #122 And you think you'll come back to me again?
00:14:59 #123 I think you'd better go now, Renee.
00:15:01 #124 Oh, no, not this time.
00:15:03 #125 Renee?
00:15:04 #126 I won't stand for it.
00:15:06 #127 I warn you, you regret it.
00:15:09 #128 Regret it?
00:15:11 #129 Gastard regretted it from the start.
00:15:13 #130 From the first day I met you.
00:15:15 #131 I didn't ask you to fall in love with me.
00:15:18 #132 No.
00:15:20 #133 Then why did you keep telling me you needed me?
00:15:22 #134 But I was necessary to your success.
00:15:25 #135 What was I to think?
00:15:27 #136 What did you think, Granny?
00:15:31 #137 Gusto. These girls.
00:15:34 #138 I've known they didn't mean anything to you, really.
00:15:37 #139 Because you always came back to me.
00:15:40 #140 Gusto, what happened to them?
00:15:46 #141 You think...
00:17:27 #142 What's your name, Marell?
00:17:30 #143 Which is Granny, all right.
00:17:34 #144 Granny?
00:17:35 #145 Granny Cremor.
00:17:37 #146 She's been singing for me in my puppet show for almost a year now.
00:17:40 #147 I see.
00:17:42 #148 Sorry, these are our routine questions.
00:17:45 #149 Well, how did you know the girl was missing?
00:17:48 #150 She was to be rehearsed with me this morning.
00:17:50 #151 When she didn't show up, I went to her room.
00:17:52 #152 And there was no answer.
00:17:53 #153 I got to Concierge to let me in.
00:17:56 #154 Her bed had not been septum.
00:17:58 #155 I called again a little while ago.
00:18:00 #156 She had not turned up.
00:18:02 #157 The Concierge, it was, told me that police found another girl
00:18:04 #158 and the same this morning.
00:18:06 #159 Another victim of blue beer, so I got worried.
00:18:10 #160 Every only idea who had a note you to kill her.
00:18:13 #161 I can't think of anyone.
00:18:15 #162 She was always so kind.
00:18:19 #163 When did you see her last?
00:18:20 #164 At the public show.
00:18:21 #165 She left before I did.
00:18:23 #166 You can prove that, of course. Of course.
00:18:27 #167 You didn't notice if she left with anyone? No, I didn't.
00:18:31 #168 It's always quite crowded backstage after performance.
00:18:34 #169 People come back to see how we pulled the strings.
00:18:37 #170 When they slipped away before I knew she was gone.
00:18:39 #171 You didn't buy John's nutties.
00:18:41 #172 Anyone in the crowd has struck you as unusual.
00:18:44 #173 I'm sorry I can't give you any information that might help you.
00:18:47 #174 We are grateful for your identification.
00:18:49 #175 We will call on you if there's any further way you can help us.
00:18:52 #176 Good evening. Thank you.
00:18:53 #177 Good evening.
00:18:54 #178 Bernard?
00:18:55 #179 Yes.
00:19:03 #180 Send for Francine at Yang.
00:19:05 #181 Brush her back and pair it at once.
00:19:07 #182 But Inspector, at once.
00:19:09 #183 Good evening.
00:19:21 #184 You have come to tell me when we will give Faust again?
00:19:25 #185 a foul stick in. Now how can we get fast to get into refined and you more great.
00:19:32 #186 That was every name not with us anymore.
00:19:36 #187 What a pity. She had a good boy.
00:19:40 #188 You have somebody else in mind for Marguerite. No.
00:19:45 #189 I'm thinking of giving a new puppet show. So.
00:19:48 #190 Yes something on the order of a ballet with a lot of new costumes.
00:19:54 #191 What is her name?
00:19:55 #192 The seal at hand.
00:20:00 #193 Where do I find this one?
00:20:02 #194 Madam Blanche, more decent shop.
00:20:05 #195 When do you want her to sit for you?
00:20:08 #196 I'm not going to paint this one. Definitely not.
00:20:20 #197 I merely wanted to make some costumes for me.
00:20:23 #198 That's your new one.
00:20:25 #199 It's a fact. Nothing more.
00:20:30 #200 Just to make some costumes for my puppet.
00:20:33 #201 At your studio?
00:20:34 #202 I don't know where she'll make them. I don't even know if she'll real make them.
00:20:38 #203 That's what I want you to find out.
00:20:40 #204 When?
00:20:41 #205 It's really possible.
00:20:43 #206 Oh, and I still die.
00:20:50 #207 There are two girls, friends of hers.
00:20:53 #208 I can trust you to exclude them.
00:20:56 #209 My word of honor.
00:20:58 #210 What do you mean breaking in here?
00:21:10 #211 We don't admit beggars.
00:21:15 #212 I did not come here professionally.
00:21:17 #213 That is not from a standpoint of my profession.
00:21:21 #214 I came here on a very confidential mission.
00:21:25 #215 To see Madam Moussel Lucille.
00:21:27 #216 I'm Lucille. Did you want to see me?
00:21:29 #217 Oh, yes.
00:21:31 #218 Privately, a certain gentleman has requested me to ask
00:21:47 #219 if you would do him a great thing.
00:21:50 #220 Who?
00:21:51 #221 Gaston Morel, the puppeteer.
00:21:54 #222 Oh, the puppeteer.
00:21:56 #223 Yes.
00:21:58 #224 He wanted to know if you would make some costumes for his new puppets.
00:22:02 #225 Yes, I'd be delighted to.
00:22:04 #226 I did too.
00:22:05 #227 When?
00:22:08 #228 Where is he?
00:22:09 #229 At his studio.
00:22:11 #230 Fine.
00:22:12 #231 I'll go right along with you.
00:22:19 #232 He has so many ideas.
00:22:22 #233 One never knows what he will turn up with next.
00:22:28 #234 I always hope one day he will make a stout for her after me.
00:22:33 #235 See you.
00:22:43 #236 Uh, I will run it off.
00:22:46 #237 This is where you work.
00:23:10 #238 It is.
00:23:11 #239 You make them. You don't seem very glad to see me.
00:23:24 #240 I'm delighted.
00:23:26 #241 These are the costumes. Do you think you can make them?
00:23:29 #242 They're quite good. Did you create them?
00:23:34 #243 It's good.
00:23:35 #244 Why so many?
00:23:40 #245 I'm thinking of devoting more time to my prophets.
00:23:43 #246 Up to now they've been nearly a toy. Sad that.
00:23:46 #247 Do you have painting?
00:23:47 #248 I'm giving up my painting.
00:23:54 #249 Why?
00:23:56 #250 I have my reasons.
00:23:59 #251 Oh, of course.
00:24:01 #252 About the costumers, would you like me to make one for your approval?
00:24:04 #253 Take your choice.
00:24:05 #254 It's plain to be seen a woman's cares lacking here.
00:24:23 #255 Is the place that dirty?
00:24:25 #256 Oh, like any bags, a quarter.
00:24:27 #257 It's torn.
00:24:35 #258 I meant to throw it away.
00:24:37 #259 It's just lovely material.
00:24:39 #260 It was my favorite.
00:24:41 #261 It needs only a stitch or two.
00:24:43 #262 Throw it away.
00:24:44 #263 Oh, it'd be a crime to.
00:24:46 #264 A few seconds, I'll put it right.
00:24:48 #265 I tried you deciding not to pay for me.
00:24:52 #266 In the park after the show, you're going to make a puppet after me.
00:24:57 #267 You seem really interested.
00:24:59 #268 Something happened. Did I do something or say something?
00:25:07 #269 No.
00:25:09 #270 Are you disappointed at the thing the more closest?
00:25:12 #271 You asked too many questions.
00:25:19 #272 Oh, you don't like being asked questions?
00:25:22 #273 No.
00:25:23 #274 That's something to hide?
00:25:25 #275 Yes.
00:25:26 #276 Good.
00:25:27 #277 And suppose I promised not to ask any more questions.
00:25:34 #278 Quite unlike any person I've painted before.
00:25:37 #279 I wonder.
00:25:38 #280 Here we are.
00:25:41 #281 All fixed.
00:25:43 #282 Now you can use it again.
00:26:21 #283 Where am I painting?
00:26:22 #284 The police have found the body of the last girl.
00:26:29 #285 Continue to throw them into the sand for the police to find.
00:26:33 #286 You know why?
00:26:34 #287 That's the most frightening obsession of yours, Gaston.
00:26:40 #288 Yes, put me to great expense smuggling your paintings out to France to be disposed of.
00:26:45 #289 You must make enough out of the transaction to be always after me for another canvas.
00:26:50 #290 Is that what you're here for now before you dispose of the last one?
00:26:53 #291 As a matter of fact, I've sold the last one.
00:26:57 #292 Already?
00:26:58 #293 Yes. The Duke of Canignov is in my shop here today looking for something unusual.
00:27:04 #294 The Duke of Canignov? Don't tell me you've sold it to him.
00:27:07 #295 Oh, he didn't give me any fancy price such as he's noted for a mere 5,000 francs.
00:27:13 #296 Who, the Duke of Canaanal, always exhibits his collections?
00:27:16 #297 What if someone should recognize the girl?
00:27:18 #298 The people who attend the Duke's exhibits are not likely to know such an obscure girl.
00:27:23 #299 But his exhibits are public. Anybody can get in.
00:27:26 #300 You'd better persuade him not to show that picture.
00:27:27 #301 That's Mike, our house is suspicious.
00:27:30 #302 Buy it back from him.
00:27:32 #303 You said he gave you only 5,000.
00:27:34 #304 I don't think he would part with it.
00:27:36 #305 The girl in that painting was one of Bluebeast victims.
00:27:39 #306 Bluebeast?
00:27:53 #307 The fourth, to be exact.
00:27:55 #308 Are you sure, Sotir?
00:27:57 #309 Oh, this is most distressing.
00:28:01 #310 One of our men on guard here at your exhibit
00:28:06 #311 met his third assemblance.
00:28:07 #312 I called my attention to it.
00:28:09 #313 I investigated, and there can be no doubt it's the same girl.
00:28:13 #314 Most unfortunate.
00:28:14 #315 Most fortunate for us that you happened to buy the picture.
00:28:17 #316 Because I'm sure that we can encounter your cooperation.
00:28:20 #317 Naturally, I'll do anything of my power, Inspector.
00:28:22 #318 Thank you.
00:28:24 #319 What do you know about the painter?
00:28:25 #320 Nothing.
00:28:26 #321 I bought the canvas largely on the recommendation of the art dealer.
00:28:30 #322 Although of course I recognized its great merit.
00:28:34 #323 Who was the art dealer?
00:28:35 #324 The Jean LaMarte.
00:28:37 #325 You know him?
00:28:38 #326 Only by reputation.
00:28:41 #327 LaMarte.
00:28:43 #328 What did he tell you about the painter?
00:28:45 #329 As a matter of fact, he was evasive on that point.
00:28:47 #330 But he did intimate the painter with someone of reputation
00:28:51 #331 Who executed this canvas under the pseudonym of Albert Gallo?
00:28:56 #332 La Marte.
00:28:58 #333 I think I'll pay my visit.
00:29:01 #334 It doesn't seem to recall such a canvas.
00:29:06 #335 Of course, it looked by as many pictures, and not all from me, unfortunately.
00:29:12 #336 But this one, it recalls distinctly having bought here.
00:29:16 #337 First painted by one, uh, Albert Garrand.
00:29:20 #338 Albert Garrand?
00:29:25 #339 I don't recall the name.
00:29:28 #340 Strange. Because he informed me he paid 30,000 francs for it.
00:29:33 #341 Because you had told him that someday this painter would be quite famous.
00:29:37 #342 I might have seen very intelligent painting.
00:29:40 #343 I'll frequently beg my own judgement, successfully.
00:29:47 #344 Have you by any chance any other paintings by this are very wrong?
00:29:52 #345 I'm sorry to say I haven't.
00:29:54 #346 But I have a canvas by another.
00:29:58 #347 A very promising young man if you are interested.
00:30:02 #348 Yes, I might be.
00:30:04 #349 This way, please.
00:30:06 #350 Thank you.
00:30:08 #351 And this one is very reasonable.
00:30:15 #352 Yes. Yes, it's rather good.
00:30:20 #353 But not as striking as it go wrong.
00:30:23 #354 You think you could locate this garon for me?
00:30:26 #355 He might have something else I would like.
00:30:28 #356 I would like you must have a record of that painting
00:30:32 #357 Think of it. I do recall that campus now a plane down the road against the bizarre background
00:30:39 #358 An old man brought it into me one day. Oh the painter himself. No some old man
00:30:45 #359 I've never seen before he said he needed money you happen to know his name I
00:30:50 #360 Paid cash his name didn't interest me
00:30:53 #361 Do you happen to know from whom he got the painting?
00:30:56 #362 No. He merely mentioned that being the family a long time.
00:31:00 #363 But why all this interest in Albert Garand may I ask?
00:31:06 #364 Well, I'm interested in his work. Are you sure you couldn't contact him for me?
00:31:11 #365 I wouldn't have the vaguest idea how to locate him.
00:31:14 #366 Well, I'm sorry, Monsieur Lamartin. We can't do any business at the moment.
00:31:19 #367 If I knew where to reach you, gentlemen.
00:31:22 #368 Oh, I might drop in some other time.
00:31:24 #369 Thank you.
00:31:26 #370 Joan?
00:31:48 #371 Oh, darling, when to get back?
00:31:50 #372 I'm straight off the train.
00:31:51 #373 Oh, what a filthy trip.
00:31:53 #374 I had to get Bayes right away, even before I could report to the office.
00:31:56 #375 Ah.
00:31:57 #376 You mean you have to go to the office tonight?
00:31:59 #377 Oh, yes.
00:32:00 #378 From the telegram I received, you think the whole of Paris was holding his breath
00:32:03 #379 until I got back?
00:32:09 #380 What's he with you?
00:32:10 #381 He? Ooh.
00:32:12 #382 You know whom I mean.
00:32:14 #383 He never told me his name.
00:32:15 #384 Oh, Jean.
00:32:17 #385 No, he was not with me.
00:32:19 #386 It was Jean who sent the telegram.
00:32:22 #387 Francine, it's outrageous. You're never home anymore.
00:32:26 #388 That's the vision of yours.
00:32:28 #389 Wait a minute. Remember our agreement?
00:32:30 #390 I'm not too in a affair in your affairs, and you're not too in mine.
00:32:34 #391 But someone from me will simply have to wait.
00:32:53 #392 Good evening.
00:33:03 #393 I bought one of my little people for her to use as a model.
00:33:07 #394 Who is it, Lucille?
00:33:09 #395 It's one of my customers.
00:33:11 #396 Then why are you making walls for men?
00:33:13 #397 Oh, God.
00:33:14 #398 Both puppets.
00:33:15 #399 The puppeteers.
00:33:16 #400 Well, have them come in.
00:33:18 #401 I'll stay out of sight.
00:33:19 #402 It's my little sister, Francie.
00:33:21 #403 I'm sorry she isn't presentable.
00:33:23 #404 I'd like you to meet her.
00:33:25 #405 Calendar come in, and wait.
00:33:27 #406 I won't be long.
00:33:28 #407 Won't you come in?
00:33:29 #408 What's the matter with the afraid to...
00:33:31 #409 Good evening.
00:33:34 #410 Our team.
00:33:35 #411 This is Gaston-Moyle.
00:33:36 #412 How do you do?
00:33:37 #413 I'm a little girl.
00:33:39 #414 I'm going to the gas to a mile.
00:33:40 #415 How do you do?
00:33:41 #416 Usually better than this.
00:33:43 #417 I'll be out in a minute.
00:33:44 #418 I really can't stay.
00:33:46 #419 I thought that you had one of the puppets for fitting.
00:33:48 #420 They're all pretty much the same size.
00:33:51 #421 Oh, then you want me to go right ahead and make the clothes?
00:33:53 #422 Certainly.
00:33:55 #423 I'd be glad to.
00:33:56 #424 Then if you'll excuse me.
00:33:59 #425 I'm very glad to have met you, mademoiselle.
00:34:01 #426 Happy to have met you.
00:34:04 #427 Good night.
00:34:15 #428 Just a customer, eh?
00:34:19 #429 It's just a customer.
00:34:32 #430 Well, that's the first time I've heard them call puppets.
00:34:36 #431 They just came with the puppet.
00:34:37 #432 Oh, sure. To keep it from breaking.
00:34:41 #433 Well, he's not bad looking.
00:34:43 #434 The one who pulls the strings, I mean.
00:34:46 #435 Oh, Francine.
00:34:51 #436 I can't tell you how glad I am.
00:34:52 #437 Well, of course, we all are.
00:34:54 #438 To have you back.
00:34:55 #439 Thank you, Inspector.
00:34:56 #440 Oh, may I present my sister?
00:34:58 #441 Your sister?
00:34:59 #442 But you never told me you had such charming sister.
00:35:01 #443 I'm no fool.
00:35:04 #444 How do you do?
00:35:06 #445 I'm very happy to know you.
00:35:08 #446 Really, Francine has told me great deal about you.
00:35:11 #447 Gentlemen, that should be all for the present.
00:35:14 #448 Now you must tell me about your success.
00:35:21 #449 What you've done.
00:35:25 #450 And you?
00:35:31 #451 Tell me all about yourself.
00:35:33 #452 How about you call me back here on business?
00:35:35 #453 About Bluebeard.
00:35:37 #454 Bluebeard?
00:35:38 #455 He's a thaw on my side.
00:35:39 #456 I seem to be getting nowhere.
00:35:41 #457 one of you done so far.
00:35:43 #458 Here's a complete dose.
00:35:44 #459 I want you to read it when you find time.
00:35:46 #460 Up to recently, I hadn't classified as a painter,
00:35:50 #461 but we have questioned practically
00:35:52 #462 every art author in Paris.
00:35:54 #463 Yes, Professor Ouazang, and even Rekami Andam.
00:35:58 #464 And now we are questioning artist models.
00:36:01 #465 But no one seems to know this man's technique.
00:36:04 #466 Well, I don't quite follow you.
00:36:06 #467 You see, I have the painting
00:36:08 #468 by the Duke of Cadeno of Arc.
00:36:10 #469 However, it would be much quicker to show you.
00:36:14 #470 Would you come along too?
00:36:15 #471 You too go ahead, I'll stay here. All right.
00:36:18 #472 Only down the hall, it'll be back in two minutes. Smile.
00:36:22 #473 Helen Borough.
00:36:27 #474 You could tell him I'm on my cell phone seeing a check. You'll be late.
00:36:43 #475 How do you do?
00:36:44 #476 How are you, Renault?
00:36:48 #477 Thank you. I'm very well.
00:36:52 #478 Call the service shop.
00:36:55 #479 No, I...
00:37:07 #480 You are not a smuggler.
00:37:09 #481 at the Beaux Arts.
00:37:16 #482 Will you please study that picture?
00:37:19 #483 Have you any idea who actually painted that picture?
00:37:26 #484 No.
00:37:28 #485 You'll notice the distinctive style.
00:37:31 #486 In what would you say that distinction lies?
00:37:36 #487 In the background.
00:37:37 #488 Exactly.
00:37:40 #489 Have you ever known a painter who used that type of background?
00:37:44 #490 No.
00:37:45 #491 Next, uh, Mimi Robert.
00:37:48 #492 Yeah.
00:37:50 #493 So it goes from seeing with no one seeming to know this painter's work?
00:37:54 #494 Perhaps if I were to question La Marte.
00:37:56 #495 No, no, no. Here's to suspicious already.
00:37:59 #496 La Marte is the dealer who sold Duke the painting.
00:38:02 #497 I suspect that he mirrors the painter, but I have no proof yet.
00:38:06 #498 Would you mind questioning if you inspect? I've been at it for hours.
00:38:10 #499 Certainly, a remorse, isn't it?
00:38:17 #500 You understand, mademoiselle. You're not here on trial for any offense.
00:38:21 #501 Oh, that's good.
00:38:24 #502 We are merely courtifying witnesses.
00:38:27 #503 You are an artist model?
00:38:29 #504 But of course. What do you take me for?
00:38:33 #505 Mademoiselle, that's beside the point.
00:38:36 #506 What is this for?
00:38:39 #507 I've modeled for the greatest painters of France.
00:38:41 #508 Oh, no doubt.
00:38:42 #509 But we are only interested in contemporary artists.
00:38:45 #510 And the most famous sculptors, too.
00:38:47 #511 You know, of course, the Venus de Marlo.
00:38:50 #512 Oh, yes.
00:38:52 #513 An historic, a must-have, but surely you're not going to tell us your model for her.
00:38:59 #514 Why?
00:39:00 #515 I'm the exact duplication of her measurements.
00:39:05 #516 But recently, have you been occupied as a model?
00:39:08 #517 Well, not exactly as a model.
00:39:12 #518 Well, you see, since I've been tired, I've been...
00:39:17 #519 I don't think you need to bring to that.
00:39:24 #520 Just one question.
00:39:27 #521 Do you know who Albert Gellar is?
00:39:31 #522 Albert Gellar.
00:39:32 #523 Who is it?
00:39:36 #524 Bluebeard.
00:39:37 #525 Take a look at that picture.
00:39:41 #526 Have you any idea who that painter might be?
00:39:46 #527 Well, when I modeled for money...
00:39:49 #528 The question is, do you know who painted that?
00:39:52 #529 No.
00:39:54 #530 Next, Marla.
00:39:56 #531 For Asia for us.
00:39:59 #532 Listen, I have an idea.
00:40:08 #533 Duke of Cadillera writes,
00:40:10 #534 you want the portrait of your daughter
00:40:12 #535 and asks me to help you find a satisfactory painter.
00:40:16 #536 Being strangers here, we naturally look for the Duke
00:40:19 #537 who is a relative for recommendations regarding a number of things.
00:40:23 #538 My true so cheaply.
00:40:25 #539 The Duke is a male ex-opincent.
00:40:28 #540 Yes. Among his paintings I noticed one that particularly attracted me.
00:40:34 #541 The canvas of a young girl against her other startling background.
00:40:39 #542 I was wondering if this painter is available.
00:40:42 #543 What did the Duke to say of this painter?
00:40:46 #544 Unfortunately we had no opportunity of asking him.
00:40:49 #545 You see, we only arrived in Paris last evening, just before the Duke left town.
00:40:53 #546 Yes, and since we're sailing back to South America before he returns,
00:40:57 #547 we had the chance only for a few intimate matters,
00:40:59 #548 and I mentioned wanting a portrait.
00:41:03 #549 Portrait is his paint, this name.
00:41:06 #550 I couldn't make it out.
00:41:07 #551 Very well, uh...
00:41:09 #552 Karof or, uh...
00:41:11 #553 Karon, uh...
00:41:13 #554 Garand?
00:41:14 #555 Possibly.
00:41:15 #556 At any rate, whoever he is,
00:41:17 #557 His flesh tones are superb.
00:41:20 #558 It was that which decided me that this is the painter
00:41:25 #559 to capture my daughter's subtle beauty.
00:41:28 #560 Please, Father.
00:41:31 #561 And fortunately, Mr. Duchamp, I do not know the painter
00:41:36 #562 you have reference to.
00:41:37 #563 But surely, Mr. Ford, a commission
00:41:40 #564 you could look him up?
00:41:43 #565 Rather a good commission.
00:41:44 #566 I would know where to find him.
00:41:47 #567 But for a commission of 75,000 francs, you could advertise?
00:41:54 #568 Advertise.
00:42:08 #569 150,000 might make an attractive figure.
00:42:12 #570 Agreed.
00:42:14 #571 But mind you, I don't promise that we have success.
00:42:17 #572 Well, at least you can try.
00:42:19 #573 Oh, by the way, let me give you a little something on account.
00:42:23 #574 That isn't necessary.
00:42:25 #575 But if I do find this paintbath
00:42:27 #576 And it turns out to be some other fragmentation.
00:42:30 #577 Painting under a suit of him.
00:42:33 #578 He may not wish to use that name.
00:42:34 #579 Whatever name he paints under does not concern me
00:42:38 #580 so long as he is the painter who did the canvas I liked so much.
00:42:41 #581 It's very good to have such matters understood.
00:42:44 #582 But it will have to be painted soon.
00:42:46 #583 Don't forget, I want to take it with me to South America.
00:42:49 #584 I'll do my best.
00:42:51 #585 If I have any good news for you, I'll get in touch with you at once.
00:42:56 #586 At the Dukes.
00:42:57 #587 We will be most grateful to you, Sir Le Marthe.
00:43:00 #588 Thank you.
00:43:01 #589 Perhaps if you paid me my rent, you could dictate which way I should enter my own property.
00:43:53 #590 You've made plenty out of my paintings in the past.
00:43:56 #591 I made a small profit in the past.
00:44:01 #592 I think I'm going to let you go on living here for nothing.
00:44:07 #593 I'll pay you.
00:44:13 #594 What? What you make with your puppets, show?
00:44:16 #595 Oh, I'll manage.
00:44:17 #596 Don't be ridiculous. But I'll make you a proposition.
00:44:21 #597 25,000 francs if you will do.
00:44:25 #598 25,000?
00:44:27 #599 I might even get you 30.
00:44:30 #600 Oh, you ever give me a magnificent puppet show?
00:44:32 #601 A dozen of them.
00:44:34 #602 What's the proposition?
00:44:36 #603 Rich South American wants a pot of the pistata.
00:44:40 #604 Oh, I thought so. No.
00:44:43 #605 No, I've told you I'm through painting.
00:44:45 #606 So you can be for good after just this one.
00:44:50 #607 Think of it, Gaston.
00:44:51 #608 30,000 francs.
00:44:55 #609 I am thinking of it.
00:45:01 #610 Trisky.
00:45:07 #611 Besides, I've told you I won't pay any more of your girls.
00:45:09 #612 But this is different.
00:45:11 #613 This is a portrait.
00:45:12 #614 And this is safe.
00:45:14 #615 She's leaving almost at once for South America to be married.
00:45:18 #616 And she's taking the painting with her.
00:45:24 #617 It's a trap.
00:45:25 #618 Do you think I would or aren't any further risk?
00:45:33 #619 There's no risk.
00:45:33 #620 Why shouldn't I paint her at your studio?
00:45:35 #621 My studio?
00:45:36 #622 Yes.
00:45:38 #623 The workroom over your shop.
00:45:39 #624 That's all I could pay to port it in.
00:45:41 #625 Why?
00:45:42 #626 Yes.
00:45:44 #627 Well, so it is.
00:45:45 #628 I paint her there or I don't paint her.
00:45:48 #629 All right. All right, yes, don't you think that there's a shop will be completely surrounded with every possible escape
00:45:58 #630 brought but how we turn out of this garage has actually showed up at LeMontex.
00:46:03 #631 We'll give you a signal. The shop can stand at the window and light a cigar. You notice that window at the back of the office.
00:46:11 #632 Station someone that can watch the window and relay the signal. But don't enter too soon. Give the painter a chance actually to start painting.
00:46:18 #633 That's it. We must have something on canvas as evidence.
00:46:22 #634 Perhaps, Francine, you could persuade the painter to demonstrate the background in Tess News.
00:46:28 #635 I'll try, surely.
00:46:30 #636 The signal will mean only that the artist has arrived and started painting.
00:46:33 #637 Yes. I'll leave the time into you, Renard, but remember, you are also absolutely responsible.
00:46:48 #638 If further stipulated that there should be absolutely no visitors, not even you, sir.
00:46:58 #639 Rather than risk his outright infusion, I accept it.
00:47:03 #640 Yes, but my daughter...
00:47:05 #641 Oh, you needn't be concerned about me.
00:47:08 #642 And I'm sure La Morte will not object if you wait here and smoke.
00:47:11 #643 Not at all.
00:47:13 #644 So if you will be good enough to excuse it, I'll take the lady to our pink.
00:47:20 #645 I'll take the lady to our clinic.
00:47:22 #646 She'll be permitted to work unobserved.
00:47:55 #647 He finds it more satisfactory that way.
00:47:59 #648 The senator is here.
00:48:00 #649 Are you ready?
00:48:02 #650 Quite ready.
00:48:05 #651 I hope you'll be quite comfortable.
00:48:07 #652 If there's anything you want,
00:48:09 #653 you have only to call down the speaking tube.
00:48:12 #654 Thank you.
00:48:13 #655 The artist who stands the need for haste is quite creative.
00:48:17 #656 Therefore, I won't take up any more time.
00:48:21 #657 Thank you. It better pulls me.
00:48:40 #658 I must ask you to do that yourself.
00:48:41 #659 The effect will be more individual.
00:48:43 #660 Our painter was ready.
00:49:15 #661 He is started.
00:49:17 #662 So if you don't mind,
00:49:18 #663 we'll get down with our business arrangements.
00:49:21 #664 I have brought the cash as you stipulated.
00:49:24 #665 For the full amount.
00:49:25 #666 A thousand thanks. Good.
00:49:30 #667 I'll write you a receipt.
00:49:31 #668 You must have done some pictures
00:49:37 #669 other than the one I saw at the dukes.
00:49:40 #670 Haven't you?
00:49:43 #671 Pardon?
00:49:44 #672 I say I would love to see some other pictures you've done.
00:49:47 #673 Thank you.
00:49:49 #674 Get a higher view.
00:49:50 #675 Have you matched?
00:50:04 #676 They make some interesting curious pictures.
00:50:42 #677 I'd like to look at them.
00:50:45 #678 But I wouldn't like to tempt.
00:50:48 #679 Crying eyes.
00:50:54 #680 I wore this simple dress thinking you might give me an interesting background.
00:50:58 #681 I liked particularly the background you gave that girl in the Duke's picture.
00:51:02 #682 You think you could do one for me like that?
00:51:05 #683 I could.
00:51:06 #684 You have not liked that you're a cigar?
00:51:09 #685 Huh? Oh, uh, well, I've been smoking a little too much lately,
00:51:13 #686 and besides, I kept interested in this statue.
00:51:17 #687 Good. Then you won't mind excusing me a moment
00:51:20 #688 while I go up and see how our painting is coming on?
00:51:24 #689 By all means. Go ahead.
00:51:27 #690 Don't you think we better? I'll tell you when.
00:51:34 #691 But your shoulders! Can't you straighten up?
00:51:39 #692 That's so square.
00:51:41 #693 Well, I've asked you to pose me.
00:51:43 #694 I'm quite helpless about such things.
00:51:48 #695 Surely it can't be so difficult for you to be yourself.
00:52:02 #696 What's the matter?
00:52:04 #697 This is the house puppeteer.
00:52:06 #698 You're a seal.
00:52:07 #699 So you're a bluebeard.
00:52:12 #700 Who said so?
00:52:13 #701 I did.
00:52:16 #702 I'm a paper.
00:52:17 #703 Evil, I'm out there told you.
00:52:21 #704 I'm out of here.
00:54:02 #705 Do me as well.
00:54:05 #706 No.
00:54:06 #707 I want it.
00:54:09 #708 I want to be gone from here when they got in.
00:54:22 #709 Where's Fancy?
00:56:31 #710 He took her out there.
00:56:33 #711 Capturing him before.
00:57:08 #712 But even that close.
00:57:09 #713 They might tell you was there only one.
00:57:11 #714 The grounds are the shops.
00:57:23 #715 Crobat?
00:57:26 #716 Yes.
00:57:27 #717 You say he used this?
00:57:39 #718 The owner of this Crobat is the murderer?
00:57:44 #719 Very likely.
00:57:45 #720 Probably could take us to the murderer.
00:57:50 #721 Say this.
00:57:57 #722 Do you know how I felt about Fancy?
00:58:00 #723 Could make you believe I would do everything I can.
00:58:07 #724 End it for you.
00:58:56 #725 Very likely.
00:58:59 #726 The same one I have several of.
00:59:05 #727 several several doesn't mean me I ask where you got them in
00:59:16 #728 a little shop on a plastic glaze I think why I just wondered unusual material for
00:59:27 #729 a cravat that you care to go in my interest is in the living I called you
00:59:43 #730 free to offer my condolences thank you I meant it for you bring yourself
01:01:25 #731 nothing thank you where were your last life right here
01:01:35 #732 Okay, my puppets.
01:01:37 #733 The whole evening?
01:01:40 #734 I did go out for a little while.
01:01:42 #735 To paint someone?
01:01:47 #736 To paint anymore?
01:01:50 #737 But that merely meant you wouldn't paint me.
01:01:52 #738 Why was that?
01:01:55 #739 What good would you to tell you?
01:01:56 #740 I'd say to you.
01:02:02 #741 Why wouldn't you?
01:02:04 #742 It's a matter of fact.
01:02:06 #743 And why should I prevent you from painting me?
01:02:24 #744 I ambitious you, Lucille.
01:02:49 #745 An extremely sensitive.
01:02:51 #746 I almost starved to death as an art student.
01:02:55 #747 I didn't mind physical starvation.
01:03:01 #748 There was something in me.
01:03:03 #749 A burning ambition, striving to paint something really worthwhile.
01:03:08 #750 Something fine.
01:03:10 #751 I worked perishly at the Beaux-Arts, never seeming to get anywhere.
01:03:15 #752 I painted every model who came there, but the canvases all turned out to be one after another.
01:03:20 #753 Just ordinary.
01:03:21 #754 So I was going home to my Garrett.
01:03:29 #755 I came across a girl, she collects.
01:03:32 #756 I didn't know what to do.
01:03:34 #757 My gallery was close by.
01:03:36 #758 My cat is in there.
01:03:37 #759 The care of his best I could.
01:03:41 #760 I had little money for my paints.
01:03:46 #761 She needed nourishment if she would have died.
01:03:51 #762 Somehow I managed to get her the things she needed.
01:03:54 #763 Then one day, the past the time, I got the paint she had.
01:03:59 #764 Jeanette LeBou.
01:04:01 #765 There was something in her fever-tomented eyes
01:04:03 #766 that was almost spiritual.
01:04:06 #767 Something that reminded me of someone I'd seen.
01:04:12 #768 The maid of all the honor.
01:04:15 #769 I've seen the tomb of the maid of Olyar, and inspired me.
01:04:20 #770 And by chance I sold the paintings to Lamar T.
01:04:23 #771 Without a word, no one like Lamar T turned up in my garage.
01:04:33 #772 Never let her.
01:04:34 #773 And found me at the academy at a ward of my picture.
01:04:39 #774 The maid of Olyar, the prize.
01:04:41 #775 We'd hang in the loo.
01:04:44 #776 Now it'd be recommended for the Legion of Honor, and seen joy.
01:04:52 #777 I want to share my happiness with the one who was chiefly responsible for it.
01:05:02 #778 Jeanette, searching everywhere.
01:05:08 #779 At last I'd traced her through the doctor I'd called in for her.
01:05:11 #780 He gave me her dress. I'd her door I heard left.
01:05:19 #781 I'd invited me in.
01:05:29 #782 This was the real Jeanette.
01:05:38 #783 She thought she'd paid me with money.
01:05:48 #784 Suddenly the sight of that Jeanette did something to me.
01:05:51 #785 Something in discrediting.
01:05:58 #786 I thought there would stop her defining the image I created.
01:06:02 #787 Stop her degrading my work.
01:06:04 #788 I thought that would be the end of what she could do to me.
01:06:05 #789 Why did I paint it again? I painted Jeanette.
01:06:10 #790 So I turned to making puppets because I could make them a wood.
01:06:13 #791 Because when they became Jeanette, I could take off my fury on them.
01:06:16 #792 I couldn't kill them.
01:06:17 #793 It was not enough for Lamar T.
01:06:26 #794 Now Lamar T. lost money.
01:06:28 #795 And only he knew that I'd killed Jeanette.
01:06:31 #796 So I had to paint for Lamar T.
01:06:33 #797 He wanted pictures of girls he could sell.
01:06:36 #798 But again, every girl I painted turned out to be Jeanette.
01:06:38 #799 I couldn't permit it. I couldn't stop myself.
01:06:40 #800 Every time I painted her, I had to kill her again.
01:06:45 #801 Finally, I paid me nothing to me, not even my own.
01:06:48 #802 You knew I had found I'd missed my existence.
01:07:01 #803 But I thought I might find a genetic unit.
01:07:04 #804 You knew I saw a chance for fulfillment.
01:07:07 #805 I knew I couldn't live my life over again to deserve you.
01:07:10 #806 I knew I couldn't undo the wrongs I'd done.
01:07:13 #807 And further ones.
01:07:14 #808 That's why I definitely quit meeting once and for all.
01:07:19 #809 meeting once and for all. I decided there must be no more killings for your sake.
01:07:23 #810 Why Francine?
01:07:39 #811 Francine, I didn't want to kill her. I accepted that one last commission because
01:07:49 #812 it would mean independence. There wasn't to be a chance for a slip-up. That's why I
01:07:54 #813 was to paint with Lamate's studio with him standing by. I didn't recognize the
01:07:59 #814 girl that came there as your sister until it was too late. All I realized
01:08:03 #815 And suddenly, well, she was coming between us, you and me.
01:08:06 #816 Cutting me off from you, making her one chance of happiness.
01:08:10 #817 You think anything could justify her murder?
01:08:13 #818 Anyone seeking to destroy our happiness is a menace.
01:08:17 #819 A menace would have to be done away with.
01:08:22 #820 What are you going to do?
01:08:24 #821 The only thing I can do.
01:08:25 #822 Thinking I'm going to the police, I'm going to do that.
01:08:37 #823 Lucille!
01:08:39 #824 You couldn't do that to me.
01:08:41 #825 Not you, Lucille.
01:08:43 #826 And even if you could, I would let you.
01:08:46 #827 I would let you turn against me too.
01:08:48 #828 Oh, no, not you, Lucille.
01:08:50 #829 Not you.
01:09:40 #830 How did you get here?
01:09:41 #831 I followed you.
01:09:44 #832 I saw when you looked at that cravat, it had some idea.