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Horror organized by the map, not one word. Eight standalone genres — each with more internal grammar than the whole "thriller" category — plus the Girl Has to Kill Everyone survival wing. Public-domain titles play in-app; modern branches are where-to-watch leads.

The eight genres · A Map of Horror

Supernatural

A cosmology — something exists beyond the material and it wants something.
5 PD in-app Haunting · Possession / Exorcism · Witchcraft · Ancient Magic · Folk Horror · Gothic / Period

Slasher

A body count and a set of archetypes — set-piece kills, a final girl.
2 PD in-app Slasher (proper) · Giallo · Holiday · Serial Killer / Monster

Survival & Captivity

Mechanics — can she get out, and what does it cost. Mechanical, not emotional.
4 PD in-app Sex Trafficking / The Network · Captivity & Escape · Siege · Backwoods & Hunted · Home Invasion · Natural / Animal Attack · Girl Has to Kill Everyone

Body Horror

The anatomy is the site of the fear — anatomical, not situational.
1 PD in-app Body Horror · Splatter · Werewolf & Transformation · Medical / Institutional

Cosmic

Comprehension itself is the injury — the universe is indifferent.
4 PD in-app Lovecraftian · Sci-Fi Horror · Post-Apocalyptic / Zombie · Kaiju

Monster

A creature with rules, a history, and a fandom.
8 PD in-app Vampire · Werewolf · Creature Feature · Classic Monster · Killer Object / Doll

Exploitation

A production mode and a distribution history — an aesthetic, not just a violence level.
2 PD in-app Grindhouse · Cannibal · Nunsploitation · Ozploitation · Blaxploitation horror · The Bad Movie shelf

Psychological

The unreliable interior.
0 PD in-app Slow Burn · Cult / Compound · Killer Kid · Hagsploitation · Found Footage · Webcam / Screen Life

Girl Has to Kill Everyone · survival wing — led by the trafficking network

Sex Trafficking — The Network LEAD

A survivor against a whole ring / operation — not a single attacker. She has to take on the network to get out or bring it down: the surgeon and the handlers and the buyers, an operation with structure. This is the sharpest reading of "kill EVERYONE" (plural = the system).

Captivity & Escape

Taken, caged, or locked in by one captor or a small crew; the only door out is through them. Distinct from the network above — the antagonist is not a whole operation.

Siege

She is cornered in one location and the killers come to her — she holds and turns the space into the weapon.

Backwoods & Hunted

Rural isolation; she is hunted like an animal and has to hunt back to get out alive.

Urban & Stylized Necessity

Same no-exit logic, city streets or heightened action styling.

She Is the Monster

The film is watching HER, not her escape — with a snapping point (Carrie, Pearl, Thelma, Ginger Snaps) or without one (Audition, May, Excision, Raw, The Love Witch).

Home Invasion secondary

A single household attacked in its own home by intruders. Kept SEPARATE from the trafficking network and de-emphasized per the operator — the antagonist is an intrusion, not an operation.

Lone Attacker secondary

A single perpetrator (one stalker / one assailant). Kept SEPARATE and de-emphasized per the operator — this is the trope the trafficking-network category is explicitly NOT.

Horror organized by the operator's own taxonomy — "A Map of Horror" (8 standalone genres) and "Girl Has to Kill Everyone" (the survival wing, led by the sex-trafficking / network category). We stream only curated PUBLIC-DOMAIN horror (Internet Archive) in-app; modern copyrighted branches are shown as where-to-watch leads and link-outs — we never rehost.