AI-made — please help correct faster-whisper small int8 + clean-pass
A machine made this from the film's audio. Names, old slang and songs are where it slips. If you spot a mistake, send the line number and the right words below — every correction makes the next transcript better.
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00:01:20 #1 and the good people of go for city can't be
00:01:23 #2 i think this man stop
00:01:25 #3 to be fair well and success
00:01:28 #4 and by
00:01:31 #5 the reason to be with her and don't miss go for city
00:01:35 #6 and last
00:01:36 #7 to missus drunken
00:01:38 #8 mother
00:01:41 #9 there is
00:01:42 #10 what to say
00:02:18 #11 miss
00:02:20 #12 I only hope that I won't disappoint you.
00:02:25 #13 Thank you.
00:02:27 #14 Just a moment. Get back. Get back, will you?
00:02:30 #15 I want to thank you for Elvira and me.
00:02:34 #16 And Elvira is going to be a great big movie star.
00:02:38 #17 In fact, America's next sweetheart.
00:02:43 #18 For boys...
00:02:48 #19 Elmer Butts! Elmer Butts, her manager,
00:02:50 #20 whose unclad efforts has made this contest possible.
00:02:54 #21 Get up, Elmer!
00:02:57 #22 I promise you one thing, as Elvira's manager, I'll never let her out of my sight.
00:03:16 #23 And if...
00:03:18 #24 Hey, here, you can't go through there.
00:03:21 #25 Well, I saw right, I'm her manager, Elmer Button.
00:03:26 #26 That's the division superintendent's car.
00:03:28 #27 You can't go through.
00:03:30 #28 Oh, I gotta get through to Elvira.
00:03:32 #29 Well, there's no such town on this division.
00:03:35 #30 No, I'm not going through.
00:03:37 #31 Well, there's no such town on this division.
00:03:41 #32 No, no, no.
00:03:43 #33 The Elbira Plunkett and her mother in the car ahead.
00:03:47 #34 Yeah?
00:03:48 #35 And they'll be looking all over for me.
00:03:54 #36 Yeah?
00:03:59 #37 They might worry.
00:04:03 #38 Oh, and I got their tickets.
00:04:04 #39 Here in my car, they can't ride our tickets.
00:04:07 #40 The man'll ask you for the tickets.
00:04:08 #41 They've got a hat on.
00:04:10 #42 When the train stops at the next station,
00:04:12 #43 you can run around and go up in front and give them the ticket.
00:04:17 #44 It's great about that.
00:04:18 #45 She arranges the Chamber of Commerce
00:04:19 #46 to get us this lovely drawing room.
00:04:21 #47 Yes, and then the poor sap had to disappear with the tickets.
00:04:24 #48 Say, you've got to close his Mr. Train, do you?
00:04:27 #49 No such luck.
00:04:29 #50 There he is now.
00:04:29 #51 And what I'll say to that guy when I see him.
00:04:32 #52 Well, of all...
00:04:34 #53 Well, what do you want?
00:04:37 #54 I should like to sit down.
00:04:39 #55 Yeah? Well, why bother us with it?
00:04:41 #56 Isn't there lots of other places to sit down?
00:04:43 #57 I should like to sit here and view of the fact that I...
00:04:45 #58 In view of which fact?
00:04:46 #59 In view of the fact that I paid $86 for the privilege of using this room.
00:04:50 #60 You paid for this room?
00:04:53 #61 Oh, sorry. But you see, the gentleman that has our tickets isn't here.
00:04:58 #62 No, he never was even half here.
00:05:00 #63 Oh, my God. You think we thought this was ours?
00:05:03 #64 Well, it shall be. I'll be only too glad to move.
00:05:06 #65 Oh, well, we couldn't consider that. Stay.
00:05:07 #66 Oh, no, no, no. Pass this on mistake, as your mother suggests.
00:05:10 #67 We better wait right here until the conductor comes and then he can put it straight.
00:05:15 #68 You just forget I'm here.
00:05:18 #69 May I sit down?
00:05:19 #70 Certainly.
00:05:20 #71 Thank you.
00:05:38 #72 No.
00:05:39 #73 Yes, and it ain't.
00:05:43 #74 Say, you're Larry Mitchell, the movie star, ain't you?
00:05:48 #75 Oh, mother.
00:05:49 #76 Guilty.
00:05:50 #77 What a break.
00:05:52 #78 Just look at that virus bad, will you?
00:05:55 #79 See?
00:05:56 #80 Oh, mother.
00:05:57 #81 Mr. Mitchell isn't interested.
00:05:58 #82 On the contrary, I'm terribly interested.
00:06:01 #83 We're a fellow office.
00:06:02 #84 office I love to write on. You know I say. It is no I guess not so good. My new
00:06:19 #85 picture is opening at the Chinese theater next week by popular demand I'm returning
00:06:22 #86 to Hollywood to make a personal appearance at the opening I should be only too glad
00:06:26 #87 to get your tickets if it. Come in. The case please. What do you suppose
00:06:39 #88 happened to Alma nothing like what he deserves but what's going near the ticket
00:06:44 #89 he's got all our money I know what I know it I should have kept the money in the
00:06:49 #90 sock what's the trouble madam have you no transportation when you see her manager
00:06:56 #91 that hat with it was wished on us by the Chamber of Commerce of gopher city
00:06:59 #92 and he got the ticket and the bankroll where is he now if I knew I'd be a
00:07:06 #93 a candidate for the electric chair. But he must be somewhere on the train.
00:07:10 #94 Well, we've been all through the train, Miss.
00:07:13 #95 And what does he look like? Like nothing you ever saw.
00:07:16 #96 Terrible. But what are you going to do about it?
00:07:25 #97 Pulling into clear water now. What does that mean?
00:07:27 #98 That means you'll have to get off, Miss. Yeah, I thought so.
00:07:30 #99 Oh, if I ever got my hands on Elmhurst.
00:07:33 #100 Goodbye, Mr. Mitchell. I thank you very much. You've been very kind.
00:07:36 #101 You can't put me off this train. Now, that's all this will bring.
00:07:38 #102 Oh, please don't put off.
00:07:40 #103 Oh, but I...
00:07:42 #104 I wish you wouldn't.
00:07:43 #105 Thanks. Goodbye.
00:07:44 #106 Now, please, you can't put me off this train right here now.
00:08:07 #107 I just think it's just terrible.
00:08:08 #108 The idea of...
00:08:09 #109 I don't know how I'm gonna deal with this.
00:08:16 #110 The idea of putting us out here in this golfers-taken place.
00:08:20 #111 Where's that pad?
00:08:21 #112 Certainly just clean the place up, will you?
00:08:33 #113 Put it out where the man wouldn't let us out.
00:08:35 #114 Help me!
00:08:36 #115 Come here.
00:09:01 #116 You're breaking out. Oh, please.
00:09:03 #117 What the hell are you doing? I'm sorry.
00:09:05 #118 You're breaking the...
00:09:06 #119 Yeah, I was on a private car.
00:09:10 #120 Yeah, you were on a private car and we were being put off the train.
00:09:14 #121 Give me the ticket. Give me the...
00:09:28 #122 Here they are. Now I'll go see the conductor. You stay here.
00:09:33 #123 Elmer! Come here. Guess what's happened?
00:09:39 #124 What happened? We met Larry Mitchell.
00:09:42 #125 Larry Mitchell?
00:09:43 #126 You know the movie star.
00:09:44 #127 Oh, yeah?
00:09:45 #128 Yes, oh, he's so nice.
00:09:48 #129 Why, he's here on the train now going out to his opening.
00:09:51 #130 What's he going to open?
00:09:53 #131 His picture at the Chinese Theater in Hollywood. You know.
00:09:56 #132 Oh, oh.
00:09:59 #133 Because it's almost impossible to find words that will paint for you a mental picture.
00:10:05 #134 Doing justice to the surroundings here.
00:10:07 #135 And here's Jackie Coagin. Hello Jackie.
00:10:09 #136 All right, nice.
00:10:11 #137 What do you say hello to all your friends?
00:10:13 #138 Good evening, folks. I can't tell you how happy I am to be here.
00:10:16 #139 But you know there's a pretty wonderful occasion for me.
00:10:20 #140 And I want to thank Mr. Wright for having this opening at such an opportune time.
00:10:25 #141 Because I don't have any school tomorrow. Thank you.
00:10:28 #142 Thank you, Jackie. Good evening, ladies and gentlemen.
00:10:31 #143 Oh, I'm glad to have you. Well, that's fine.
00:10:34 #144 Now we hear a loud cry. Oh, goodness gracious.
00:10:38 #145 What about the car?
00:10:52 #146 Watch it for me, Willie. I rented it.
00:10:54 #147 Watch it. Well, I'm not watching cars. You'll have to get that car there. Come on.
00:10:57 #148 I gotta leave in here.
00:10:58 #149 Because you're holding up the traffic. Just for the lovely. Come on. Get this car.
00:11:01 #150 Where are I taking?
00:11:02 #151 I don't care where you're taking. Take it. Come on.
00:11:04 #152 I gotta take the car someplace. Come on.
00:11:06 #153 I'm gonna leave you in the car.
00:11:10 #154 I'll be right back.
00:11:11 #155 You need to get out of here. All right.
00:11:13 #156 Come on up, sir. The rest of the car. Oh, Elmer. Elmer.
00:11:15 #157 Come here. What's your name? Go on. Find the car.
00:11:18 #158 There's a car back here.
00:11:19 #159 Don't knock it off.
00:11:20 #160 When you come here, I want the tickets.
00:11:23 #161 Say, you're going to have to take the car out of here.
00:11:25 #162 I don't care.
00:11:27 #163 I want the tickets.
00:11:28 #164 The tickets?
00:11:29 #165 Would you fit this car out of here?
00:11:31 #166 I don't.
00:11:35 #167 Oh, there.
00:11:36 #168 You wait for me now.
00:11:37 #169 I won't be long.
00:11:38 #170 No, I don't want to get this car out of here.
00:11:41 #171 I don't want to get this car out of here.
00:11:45 #172 I don't want to get out of here.
00:11:47 #173 Come on.
00:11:48 #174 Move the car out of here.
00:11:49 #175 What up?
00:11:55 #176 I hope you're going to like this picture.
00:11:59 #177 I hope so too.
00:12:00 #178 We had a very difficult...
00:12:01 #179 I'll see you in a few minutes.
00:12:02 #180 I'll be right back.
00:12:03 #181 Is it that bad?
00:12:04 #182 Oh, you're much gorgeous.
00:12:05 #183 Oh, darling.
00:12:06 #184 There's Mr. William Haynes.
00:12:07 #185 Oh, Mr. Haynes.
00:12:08 #186 How you do?
00:12:09 #187 Would you please give me an autograph, a photograph of yourself?
00:12:10 #188 Sorry, but I broke my autograph.
00:12:11 #189 Ah, that's a...
00:12:12 #190 Oh, it's me.
00:12:13 #191 Oh, I'm sorry.
00:12:14 #192 I'm sorry.
00:12:26 #193 Oh, it's...
00:12:28 #194 It's so nice out there.
00:12:30 #195 Oh, Paul, keep going, Mr.
00:12:38 #196 There's Joe Crawford right over there.
00:12:46 #197 Oh, my, this doesn't make no sound.
00:12:49 #198 Come on, Ro, we can't park here.
00:12:56 #199 Which is just the same as being a finger bowl and a motion picture open.
00:14:22 #200 You'll get it whether you need it or not.
00:14:24 #201 Now, the first artist that I will introduce is the gentleman we all love so much in the picture tonight, Mr. Larry Mitchell.
00:14:31 #202 Larry Mitchell.
00:14:32 #203 Now there is another celebrated William.
00:14:46 #204 I'd like to introduce Mr. William Haynes.
00:14:48 #205 Here you are.
00:14:52 #206 How are you?
00:14:55 #207 I'm over there.
00:14:56 #208 No, no.
00:14:57 #209 This is the shortest way.
00:14:58 #210 Right up here.
00:14:59 #211 They're waiting for me.
00:15:00 #212 I know.
00:15:01 #213 They're waiting for you here.
00:15:02 #214 They're right up there.
00:15:03 #215 Be careful now.
00:15:04 #216 Careful.
00:15:05 #217 Be careful.
00:15:06 #218 Well, William Haynes.
00:15:07 #219 I'm not Mr. Haynes.
00:15:08 #220 He's trying to deny that he's William Haynes.
00:15:11 #221 You can't fool me.
00:15:12 #222 You're too well-known.
00:15:13 #223 I know that you're William Haynes.
00:15:14 #224 Oh, that's a slight mistake.
00:15:16 #225 I'm not Mr. Haynes.
00:15:17 #226 Well, can you prove that you're not William Haynes?
00:15:19 #227 Yes, sir.
00:15:30 #228 Don't force it on me.
00:15:30 #229 No, no, I'll take this one.
00:15:33 #230 Your card, I suppose. Thanks, sir.
00:15:34 #231 Uh-huh.
00:15:38 #232 Elma J. Butts.
00:15:40 #233 Personal representative, manager, and business advisor
00:15:43 #234 to Miss Gopher City, the flower of Kansas.
00:15:48 #235 America's future greatest movie star.
00:15:51 #236 Permanent address, Butts garage, Gopher City, Kansas.
00:15:56 #237 tires, tubes, and accessories.
00:15:58 #238 Oh, yes. Very nice. I must keep this.
00:16:06 #239 Now, uh...
00:16:07 #240 Miss Gopher City's here in the audience.
00:16:09 #241 No.
00:16:10 #242 Well, I'm quite sure that everybody here,
00:16:12 #243 including myself, would love to meet Miss Gopher City.
00:16:15 #244 Where is she? Sitting right over there.
00:16:17 #245 Ha!
00:16:19 #246 You can make a fool of yourself if you like,
00:16:21 #247 but you can't make a fool of us.
00:16:24 #248 Ah! Come on, baby.
00:16:26 #249 Ha!
00:16:44 #250 Oh, it's you with it.
00:16:46 #251 I always did say a bad penny has no sense.
00:16:50 #252 I just had to come up with a minute to see you.
00:16:53 #253 After the musk you made at the theater tonight,
00:16:55 #254 I should imagine you'd be on your way to go for city by now.
00:16:59 #255 Oh, I'm not going back.
00:17:00 #256 Oh, yes, you are.
00:17:01 #257 No, I ain't.
00:17:02 #258 Oh, as far as I am concerned, you're there now.
00:17:06 #259 Oh, now I promised the folks back home that I'd manage Elvira.
00:17:10 #260 Manage? You just managed to make food out of everybody,
00:17:12 #261 including yourself.
00:17:14 #262 Oh, Mother, please.
00:17:15 #263 Go to your rooms.
00:17:15 #264 Yes, ma'am.
00:17:19 #265 You don't understand.
00:17:20 #266 Oh, yes, I do. And that's just it.
00:17:23 #267 And from now on, we're going to manage ourselves, Mr. Butts.
00:17:26 #268 Oh, never was so humiliated in my life.
00:17:31 #269 I'm ashamed to show my face.
00:17:33 #270 I don't blame you.
00:17:35 #271 What's that?
00:17:36 #272 I don't blame you for being a little upset.
00:17:41 #273 I was all flustered up there tonight when that fella insisted that I was William Haynes.
00:17:48 #274 I felt bad.
00:17:49 #275 You felt bad?
00:17:51 #276 Imagine how William Haynes felt.
00:17:54 #277 You ought to be with your grandfather.
00:17:57 #278 He's dead.
00:17:59 #279 I know that. Good night.
00:18:07 #280 I'm awfully sorry for what happened tonight.
00:18:23 #281 Well, that's all right.
00:18:24 #282 And for what Mother said too. I know how you feel.
00:18:28 #283 I guess I did make a fool of myself.
00:18:30 #284 Why, it wasn't your fault, Elma. And I understand.
00:18:32 #285 I know you were trying to do something for me.
00:18:35 #286 And I appreciate it too.
00:18:37 #287 Or there's nothing I wouldn't do for you, Elvira.
00:18:40 #288 Where is that ice water I ordered?
00:18:54 #289 Will you do me a favor?
00:18:56 #290 I'll show you, Elmo. What is it?
00:18:58 #291 Well, I got a lot of serious talking to do,
00:19:01 #292 and you got a lot of serious listening to do.
00:19:10 #293 What's the matter?
00:19:12 #294 I was listening.
00:19:14 #295 Oh.
00:19:16 #296 Well, I'll tell you. You know when a fella reaches my age,
00:19:19 #297 there's a lot of serious problems come up.
00:19:22 #298 For instance, taking a girl away from her mother.
00:19:24 #299 Oh, before I take a girl away from her mother, I...
00:19:29 #300 Well, bye, rock!
00:19:30 #301 I'm coming, mother!
00:19:31 #302 I guess I better go now.
00:19:34 #303 I'll see you in the morning.
00:19:36 #304 Well, no, not tomorrow morning,
00:19:37 #305 because you see, Mr. Mitchell's taking us to the studio.
00:19:40 #306 Well, good night, Elma.
00:19:42 #307 Sam, is everything all right with you?
00:20:05 #308 Okay, Fred.
00:20:06 #309 I'll head.
00:20:07 #310 Lem, how are the cameras?
00:20:08 #311 All right, Mr. Little.
00:20:09 #312 Bob, how are you, Lane?
00:20:10 #313 All right, Steve, how are you, Mark?
00:20:12 #314 Good.
00:20:13 #315 How's the music, Mr. Lane?
00:20:14 #316 Okay, Mr. Little, we're ready just as you are.
00:20:16 #317 You are all right places everybody.
00:20:19 #318 Come on on your toes. Smile it up.
00:20:22 #319 Everything's ready now.
00:25:34 #320 I mean, indeed, don't you stand up my dear to look at.
00:25:37 #321 Very nice.
00:25:42 #322 Very nice indeed, Miss. Plunkett. Miss Plunkett.
00:25:45 #323 And this is my mother missing your boss.
00:25:47 #324 Oh, how do you do, Mrs. Plunkett, too.
00:25:50 #325 Oh, two Plunkett. Charming.
00:25:52 #326 Miss Plunkett's manager. Can I come in?
00:26:11 #327 No.
00:26:13 #328 What, you send word to Miss Plunkett that I'm out here?
00:26:16 #329 No.
00:26:18 #330 You mean to say you can refuse to let me in the studio?
00:26:21 #331 Yes.
00:26:22 #332 Must be some way I can get it.
00:26:26 #333 Listen, the only way you can get in the studio is to get a pass.
00:26:29 #334 How do I get that?
00:26:31 #335 You have to come inside to get it.
00:26:33 #336 I'll just...
00:26:41 #337 I'll just... I'll just stay outside.
00:26:44 #338 You wait in the chamber of commerce and go for city. Here's to this.
00:26:50 #339 All right, get this set out.
00:27:16 #340 That garbo will take the critical part.
00:27:18 #341 Oh, I'm...
00:27:20 #342 Can I see it on you?
00:27:53 #343 Hi, guys.
00:27:55 #344 Guardo.
00:27:57 #345 I can't see it.
00:27:59 #346 Mr. Mill, have you come to any decision yet
00:28:28 #347 about who's going to play the lead in your new picture?
00:28:31 #348 Joe, I've been giving that a goody over thought.
00:28:34 #349 I thought about garbo quite a bit,
00:28:37 #350 but I think they've got to try it up in something else.
00:28:40 #351 something else. You know I saw Norma. Charming. Charming. You know she sings
00:28:48 #352 up well this is your last warning if anybody else gets past you you better turn
00:28:53 #353 in your uniform that's all. Okay. You thought of marrying babies for it. I think
00:29:08 #354 she'd be good. Yes but she's got a starring vehicle already on the way. The
00:29:14 #355 The dancer, Joan Crawford, is the most beautiful dancer.
00:29:17 #356 Yes, it's charming.
00:29:18 #357 Joan is charming.
00:29:20 #358 Do you know who would be perfect for your picture?
00:29:22 #359 I don't think so.
00:29:23 #360 Miss Elbira Plunkett.
00:29:25 #361 She's right here on the lot to be marvelous.
00:29:27 #362 Joan is pretty well set for...
00:29:32 #363 She's established in the public's mind already, you know?
00:29:34 #364 Yes, yes. That's what she is.
00:29:36 #365 I really am trying to get a new face if possible.
00:29:39 #366 I'd like to get a degree.
00:29:40 #367 I've always been a glorious model.
00:29:42 #368 I'm not going to be a dad here.
00:29:44 #369 Oh, that's it.
00:29:45 #370 Yes.
00:29:46 #371 That's it.
00:29:48 #372 And, uh, enjoy the night.
00:29:50 #373 Enjoy making some of this.
00:29:52 #374 Oh, no, no.
00:29:53 #375 It's just a little bit of a problem.
00:29:55 #376 That's all right.
00:29:56 #377 Great, Mark.
00:29:57 #378 You know what it was, a man, you know?
00:29:59 #379 A little bit of Lawrence or a little bit of a warrants.
00:30:02 #380 Yes.
00:30:03 #381 I think you can do it.
00:30:16 #382 How have you got the glass ready?
00:30:18 #383 Yes, sir.
00:30:19 #384 The wires are set.
00:30:20 #385 I'll put the barrel on and it's all ready to go.
00:30:22 #386 Listen, are you sure this explosion won't fail?
00:30:25 #387 Don't worry, it will blow up the first time.
00:30:28 #388 Depending on that. Now come on, look at this.
00:30:30 #389 All right, Mr. Dean.
00:30:32 #390 No, that's it.
00:30:33 #391 Please, please.
00:30:35 #392 Now, Carl, remember that scene we took on the inside of the cave?
00:30:41 #393 Where the heavy had the girl.
00:30:42 #394 Now, I don't want any failure in this next scene.
00:30:45 #395 There can't be any retakes.
00:30:46 #396 Have you left it?
00:30:47 #397 Now you rush in to rescue the girl.
00:30:50 #398 Grab the girl in your arms.
00:30:52 #399 Start on the cave.
00:30:53 #400 I shall reach the entrance there.
00:30:54 #401 A terrific explosion, and everything blows up.
00:30:56 #402 Oh, you?
00:30:57 #403 But Mr. Mark, are you sure it's safe?
00:31:00 #404 Oh, certainly.
00:31:01 #405 I've got that all arranged.
00:31:03 #406 Cover the pen of that.
00:31:04 #407 Oh, absolutely. It's all right. Perfectly safe. Now come right in.
00:31:07 #408 Come on, go right ahead.
00:31:08 #409 Go right in the cave, Mr. Bessie. It's all right.
00:31:10 #410 Don't let it worry you. That's all right.
00:31:11 #411 I've got it all arranged.
00:31:13 #412 Now, Carl, get over there. Get over there. I'll see you on.
00:31:15 #413 All right.
00:31:17 #414 Interrogate.
00:31:19 #415 You have the interlock.
00:31:20 #416 Turn them over.
00:31:24 #417 That's our name.
00:31:29 #418 OK.
00:31:30 #419 Up to speed.
00:31:32 #420 Stand by.
00:31:35 #421 All right?
00:31:35 #422 Cameraman!
00:31:36 #423 That's enough!
00:31:49 #424 Why is this closing?
00:31:51 #425 Can I get this thing right?
00:31:53 #426 I'm not going to go to your bar.
00:31:55 #427 Why do you have the idea?
00:31:56 #428 What am I to do with a lot of dummies around here?
00:31:58 #429 Come on now.
00:31:59 #430 Not to bother.
00:32:00 #431 We're going to get a boy and a boy and nothing to happen.
00:32:02 #432 Well, you told me the explosion wouldn't fail.
00:32:05 #433 Here we go.
00:32:06 #434 That's what you told me the last time.
00:32:08 #435 My first.
00:32:09 #436 Anybody.
00:32:10 #437 I can't everybody.
00:32:11 #438 All right.
00:32:12 #439 Take it again.
00:32:13 #440 Go on.
00:32:14 #441 Get the crap.
00:32:15 #442 Come on boys.
00:32:16 #443 When you get in this next thing.
00:32:17 #444 I want you to take it down.
00:32:18 #445 Okay.
00:32:19 #446 Jay, can you rush into the cabin?
00:32:21 #447 Grab the gold.
00:32:22 #448 Yeah, go right ahead.
00:32:24 #449 Right in that corner.
00:32:25 #450 There you are.
00:32:26 #451 All right.
00:32:27 #452 Oh!
00:32:29 #453 What the heck?
00:32:30 #454 Hey!
00:32:33 #455 How about you, Mr. Mil future.
00:32:54 #456 Have you heard, have you heard?
00:32:55 #457 You and everybody.
00:32:56 #458 Not on the side of it.
00:33:08 #459 Gave you.
00:33:09 #460 You know, John, do it exactly the way you rehearsed it.
00:33:13 #461 Remember, this is really the highest point of the picture.
00:33:16 #462 Don't act. Just quiet and tense.
00:33:19 #463 This is a triangle of domestic business.
00:33:22 #464 The audience have so much of it in their own lives
00:33:25 #465 that they have to kid it unless you're very sincere.
00:33:28 #466 All right, Mr. Vermon.
00:33:30 #467 Why do you look at me that way? What's the matter?
00:33:49 #468 You know what it is. I want him.
00:33:52 #469 Where is he? I know he's here.
00:33:55 #470 Oh, no. No, there's no one here.
00:33:58 #471 Don't lie to me.
00:34:00 #472 He can't hide behind a woman's skirt,
00:34:02 #473 and it's useless for you to try to protect him. Where is he?
00:34:05 #474 Oh, please believe me.
00:34:07 #475 There's no one here.
00:34:08 #476 I swear to you, all my honor, there's no one here.
00:34:11 #477 Oh, please believe me.
00:34:13 #478 No.
00:34:14 #479 I've been chasing him long enough,
00:34:16 #480 and this time I'm going to find him.
00:34:17 #481 Oh.
00:34:21 #482 He's in that closet.
00:34:23 #483 Now I've got you cornered.
00:34:25 #484 Oh, please, please, please, don't do that.
00:34:28 #485 I just stopped me.
00:34:31 #486 Come out of there.
00:34:32 #487 Come out of that closet or I'll shoot through the door.
00:34:36 #488 I'll give you just 30 seconds to come out of that closet or I'll begin shooting. 10.
00:34:43 #489 20.
00:34:44 #490 Where did you come from?
00:35:00 #491 Go for city Kansas.
00:35:01 #492 Oh, for the love of my...
00:35:03 #493 Yes, everybody crazy.
00:35:05 #494 Haven't you got any sense?
00:35:06 #495 Okay, Mr. Farmer.
00:35:07 #496 I'll take charge of the sprint up and chasing them all over. Go on.
00:35:10 #497 Come on, get up there!
00:35:12 #498 What, man?
00:35:13 #499 Stop that!
00:35:14 #500 Oh.
00:35:15 #501 Your last chance.
00:35:58 #502 This scene is spoiled again.
00:35:59 #503 I'll murder every one of you.
00:36:01 #504 Get up there!
00:36:02 #505 I didn't talk to you about that a little bit.
00:37:44 #506 Not at all, Mr. Nebelow.
00:37:45 #507 I've been chasing this bird for an hour.
00:37:46 #508 What am I to do with him?
00:37:47 #509 I don't care.
00:37:48 #510 Take him out.
00:37:49 #511 Boil him in oil.
00:37:50 #512 Draw him a quarter of a minute.
00:37:51 #513 Don't let me see him again.
00:37:52 #514 Come on.
00:37:53 #515 Oh, they're hurting him.
00:37:54 #516 Will you come?
00:37:55 #517 Come on, you.
00:37:56 #518 Oh, please, wait a minute.
00:37:57 #519 Oh, I thought I recognized that face.
00:37:58 #520 The impresario from Kansas.
00:37:59 #521 Oh, please don't let him hurt him. He didn't mean anything wrong.
00:38:02 #522 You leave that to me. Let him go. I'll be responsible for him.
00:38:05 #523 Just as you say.
00:38:07 #524 Wait a minute, Mitchell! He's spoiled the morning's work!
00:38:09 #525 Yes, I know, but he didn't quite know what it meant.
00:38:11 #526 He's really an awfully nice fellow, a regular guy.
00:38:13 #527 Elmer, shake hands with Mr. Nibblo.
00:38:15 #528 Mr. Nibblo didn't quite appreciate your little gag.
00:38:18 #529 I'm almost sorry, Mr. Nibblik.
00:38:21 #530 Say, Nibblo's the name.
00:38:24 #531 Well, I'm sorry.
00:38:26 #532 Oh, that's all right.
00:38:28 #533 We only wasted a morning's work and a little film,
00:38:31 #534 and the gag was very funny, I suppose.
00:38:34 #535 Oh, Mr. Butz is a very fine fellow,
00:38:36 #536 so I'm sure he didn't mean any harm.
00:38:39 #537 Oh, he must be good.
00:38:41 #538 Oh, Mr. Nibble, could you give him a chance?
00:38:44 #539 Yes, how about that messenger scene in the castle? What?
00:38:47 #540 Oh, back home, he's had a little experience, you know,
00:38:49 #541 in plays and things.
00:38:50 #542 Yeah, that'd be a good thing for him to break in on.
00:38:52 #543 A little experience.
00:38:54 #544 All right, I'll give him a chance.
00:38:56 #545 Uh, Betty?
00:38:57 #546 Yes, Mr. Nevilleau.
00:39:00 #547 Take Mr., uh, Mr., uh...
00:39:03 #548 Mr. Butts.
00:39:04 #549 Butts.
00:39:05 #550 Take Mr. Butts.
00:39:07 #551 You can call me Elmer.
00:39:09 #552 Well, thank you.
00:39:11 #553 Take Mr. Butts up to the wardrobe,
00:39:13 #554 put that messenger's uniform on him,
00:39:14 #555 and we'll use him in the castle scene.
00:39:16 #556 Come on, Mr. Butts.
00:39:20 #557 Oh, you can call me Elmer, too.
00:39:22 #558 Oh, yeah?
00:39:23 #559 Mr. Butts.
00:39:27 #560 Find that guy before the old man starts popping off.
00:39:30 #561 OK.
00:39:31 #562 Oh, you pork and bean, away you've been.
00:39:48 #563 I had eight guys looking for you for the last hour.
00:39:50 #564 Look at the outfit.
00:39:51 #565 Don't answer me.
00:39:53 #566 You know who you're working for?
00:39:54 #567 Mr. Nibble, have you ever seen you looking like that?
00:39:58 #568 All right, ladies, that seems very good.
00:40:13 #569 I believe that we can have one more rehearsal now
00:40:16 #570 before we shoot the scene.
00:40:18 #571 Would you step down there, Miss Carrie,
00:40:19 #572 and watch the composition?
00:40:22 #573 Elmer, will you come down here, please?
00:40:24 #574 I want to explain this little scene.
00:40:25 #575 By the way, you understand that you're playing a courier,
00:40:28 #576 a faithful servant of Her Majesty, this native princess. You see?
00:40:33 #577 And I want you to be romantic and dashing. You see?
00:40:36 #578 And when you come in, I want it to be a picture.
00:40:38 #579 Do you understand what I mean?
00:40:39 #580 May I take a hand?
00:40:40 #581 I'll show you exactly what I mean.
00:40:41 #582 Pardon me, just a moment.
00:40:53 #583 Woe is me.
00:40:56 #584 The queen has swooned. You see?
00:40:59 #585 Give it a certain romantic dash, you understand,
00:41:01 #586 so that we get the feeling of this romance.
00:41:03 #587 Because the idea of this scene is only to establish
00:41:07 #588 the aristocratic, the noble blood that's flowing in your veins.
00:41:10 #589 You see? Because she is a royal princess.
00:41:12 #590 It's really an allegorical retrospective
00:41:15 #591 to establish the breeding of this girl.
00:41:17 #592 You understand? Now we'll take it.
00:41:18 #593 You read the... You understand that your cue coming in here.
00:41:22 #594 She says, in now, the courier enters.
00:41:25 #595 You see what I mean? That's your cue.
00:41:26 #596 So you come in and read your opening speech.
00:41:29 #597 What has been done to our good lord and master?
00:41:41 #598 What would be done to me?
00:41:44 #599 You're not right, Lady.
00:41:45 #600 I doubt that he will return.
00:41:49 #601 Now your courier returns to the Queen.
00:41:53 #602 All right, that's your cue.
00:41:55 #603 Now, come in.
00:42:15 #604 Always be as queen as queen.
00:42:19 #605 Wait a minute.
00:42:21 #606 Elmer, would you be kind enough to stick to the lines of the written speech?
00:42:28 #607 The queen has swooned as your life.
00:42:30 #608 Let's try it again. You read the entry.
00:42:33 #609 Now your courier returns from the queen.
00:42:49 #610 Now, Wallace, put words. Put answers.
00:43:03 #611 Oh, woe is me. The queen has swung.
00:43:06 #612 Oh, for goodness sake, what's the matter?
00:43:10 #613 Didn't I take my hat off right?
00:43:12 #614 You took it, but you got the lines all mixed up.
00:43:15 #615 Now they're very simple. You should be able to get that.
00:43:18 #616 Listen, say it after me.
00:43:20 #617 The queen has swooned. Say it after me.
00:43:25 #618 No, don't say it after me.
00:43:27 #619 Say it after you?
00:43:30 #620 Yes.
00:43:32 #621 Whoah is me. The queen has swooned after you.
00:43:36 #622 Listen, the queen didn't swoon after me.
00:43:40 #623 She swooned after me?
00:43:42 #624 No.
00:43:44 #625 Who she swooned after?
00:43:46 #626 The queen didn't swoon after anybody.
00:43:48 #627 Why all the excitement?
00:43:50 #628 For goodness sake, listen.
00:43:52 #629 I don't want you to say that Queen has swooned after me.
00:43:55 #630 Oh, oh, you don't want me to say after you?
00:43:58 #631 Good enough.
00:43:59 #632 Oh, oh, I see. I understand.
00:44:01 #633 Well, all right. Now we'll do it again now.
00:44:03 #634 Now, and don't forget the feeling, the expression,
00:44:06 #635 whoa is me, that Queen has swooned.
00:44:09 #636 Go ahead.
00:44:13 #637 Go ahead what?
00:44:14 #638 Read the line.
00:44:16 #639 What line?
00:44:17 #640 The line we've been talking about for a half an hour.
00:44:19 #641 half an hour the queen is one. You just told me not to say it after you know no
00:44:24 #642 that isn't it listen the Queen let's don't have any Queen of course we've got
00:44:29 #643 to have a Queen King the King's don't swoon and we're going to young man if
00:44:33 #644 please as a personal favorite don't be facetious. Listen yes you I want you to
00:44:41 #645 read this line full of feeling that war was me the Queen is swooned and I don't
00:44:48 #646 I don't want you to say it after me.
00:44:50 #647 I want to say it after me.
00:44:52 #648 I don't want you to say the queen is soon after me.
00:44:55 #649 I want you to say it after me.
00:44:57 #650 Say it after you.
00:44:59 #651 Always see that. That's easy.
00:45:01 #652 That's going to be all right.
00:45:03 #653 That's new. That's the first time he told me.
00:45:05 #654 Don't forget the feeling.
00:45:07 #655 Always me. The queen has swooned.
00:45:10 #656 Say it.
00:45:17 #657 You're going to read this speech right.
00:45:19 #658 Understand?
00:45:21 #659 It's a simple speech.
00:45:23 #660 Any little four-year-old child could read this speech,
00:45:26 #661 and you're going to do it.
00:45:27 #662 And you're going to do it with feeling.
00:45:29 #663 Whoa is me!
00:45:31 #664 The queen has...
00:45:32 #665 Sween.
00:45:35 #666 Listen.
00:45:36 #667 The queen has swooned, do you understand?
00:45:38 #668 The queen has swooned!
00:45:40 #669 And nothing else!
00:45:41 #670 The queen has swooned and nothing else!
00:45:51 #671 Don't say that to me, say that to me.
00:45:53 #672 All right, get ready, everybody.
00:45:54 #673 We're gonna shoot this scene.
00:45:56 #674 before I choose him.
00:45:57 #675 Got it.
00:46:03 #676 Eat now, your courier returns from the Queen.
00:46:13 #677 The Queen has swooned.
00:46:16 #678 Cut!
00:46:17 #679 Cut! Kill it!
00:46:19 #680 Kill him!
00:46:20 #681 Kill somebody!
00:46:21 #682 Danny, where are you?
00:46:22 #683 Yes, this is the next one.
00:46:24 #684 Take this man out, will you? Get me a natch.
00:46:26 #685 I never want to see his face again.
00:46:28 #686 As I've always said,
00:46:31 #687 you can't make a silk purse
00:46:33 #688 out of a horse's neck.
00:46:36 #689 Give me that outfit before I strangle you.
00:46:38 #690 Come on out of water.
00:46:40 #691 You'll fix things, buddy.
00:46:43 #692 Give me that outfit.
00:46:47 #693 Oh, Elma, I'm awfully sorry.
00:46:50 #694 That's all right.
00:46:53 #695 Say, you know we're getting things kind of mixed up out here.
00:46:57 #696 I'm no actor.
00:46:58 #697 I'm a manager.
00:47:00 #698 You're supposed to do all the acting.
00:47:02 #699 Oh, Elma, Mr. Nibbler didn't seem
00:47:05 #700 to think so much of me either.
00:47:07 #701 What's he know?
00:47:09 #702 He couldn't even say that simple little thing
00:47:11 #703 that's sweet as...
00:47:12 #704 could've...cruelness...
00:47:14 #705 He couldn't even say that.
00:47:18 #706 Besides, I promised the folks back home
00:47:21 #707 that I was gonna make a great actress out of you
00:47:23 #708 and I'm gonna do it.
00:47:25 #709 And I...
00:47:26 #710 That was fire, huh?
00:47:28 #711 You know...
00:47:29 #712 Is this a private conversation?
00:47:31 #713 It was.
00:47:33 #714 I was gonna ask you if I might drive you home.
00:47:35 #715 Oh, Mr. Mitchell, you're very kind.
00:47:37 #716 Not at all, not at all.
00:47:38 #717 How are you going to get home?
00:47:40 #718 Oh, I'll walk.
00:47:41 #719 No, no, no, I wouldn't dream of that.
00:47:43 #720 I'll see that you get home all right.
00:47:44 #721 You go to the transportation office and just tell them that I sent you.
00:47:48 #722 Just mention your name.
00:47:50 #723 Yes.
00:47:51 #724 You come to the car too.
00:47:55 #725 Mr. Mitchell sent you.
00:47:57 #726 Oh, yeah.
00:47:58 #727 The salary's 30 a week.
00:48:00 #728 Huh?
00:48:01 #729 I said the salary was 30 a week.
00:48:04 #730 Oh, yeah.
00:48:05 #731 I want it.
00:48:06 #732 Listen, I don't care what you want.
00:48:08 #733 All this studio pays drivers.
00:48:10 #734 pay his driver's it's $30 a week now take it or leave it but Jim take this
00:48:14 #735 goes over the wardrobe and get him a uniform right away put him on the night
00:48:17 #736 shift mother may be worried about it I think perhaps we better go now but I was
00:48:35 #737 going to ask you to come up to my apartment you see the phonograph company
00:48:38 #738 have just sent me a record of my new song I wanted very much to have you hear
00:48:42 #739 it up to your apartment well I don't know do you think it'll be alright oh
00:48:50 #740 Perfectly all right. Yes, of course. Come on. Come on. Let's hurry
00:49:03 #741 Where's the studio car for Mr. Mitchell?
00:49:05 #742 Right here sir.
00:49:07 #743 Hey, boss.
00:49:09 #744 I want your car.
00:49:11 #745 Are you sure it's all right to meet him in your house or not?
00:49:46 #746 Well, uh, you want to hear the record, don't you?
00:49:50 #747 Kelly.
00:49:51 #748 Hey, hey, watch out there. Will you be a little bit careful, please?
00:50:12 #749 You needn't wait.
00:50:43 #750 It's just a simple little place.
00:51:03 #751 You like it?
00:51:05 #752 My guess is lovely.
00:51:06 #753 It comes down to the fire.
00:51:08 #754 But you'll find it more comfortable.
00:51:13 #755 It's a California night, sir.
00:51:15 #756 It has to be a bit chilly.
00:51:28 #757 It's a little bit dark, isn't it?
00:51:30 #758 Oh, it has some light.
00:51:31 #759 Here we are.
00:51:46 #760 It's all right.
00:51:47 #761 What's the matter?
00:51:48 #762 Nothing.
00:51:49 #763 What happened?
00:51:50 #764 Nothing is the matter.
00:51:51 #765 What happened?
00:51:52 #766 Everything's all right.
00:51:53 #767 I know, but I'm so excited.
00:51:54 #768 I just wanted you to...
00:51:56 #769 I mean, what happened?
00:51:58 #770 There's nothing that matters.
00:51:59 #771 I just wanted you to...
00:52:07 #772 You don't know how I've looked forward
00:52:16 #773 to these few minutes with you alone.
00:52:18 #774 Ever since we met on the train,
00:52:20 #775 at the studio, even tonight at the party,
00:52:24 #776 every time we've been together,
00:52:25 #777 there's always been someone else present.
00:52:28 #778 Well, we were alone in the garden.
00:52:30 #779 Yes, yes in the garden our garden of dreams those few stolen moments when we
00:52:37 #780 created a world of our own weren't you happy yes I was happy the night was so
00:52:53 #781 beautiful and your songs and things that you said there'll be many beautiful
00:52:59 #782 nights for you and me yes dear lovely exquisite intimate hours of love and
00:53:08 #783 and youth when we will realize all the ambitions of joy and contentment I could be happy alone on a desert island with you.
00:53:20 #784 With me alone on a desert island not anybody else.
00:53:23 #785 And if I had you I wouldn't need anybody else.
00:53:30 #786 Larry tell me I'd rather have been another girl in your life.
00:53:35 #787 No I've never met anybody like you.
00:53:40 #788 And, uh, life.
00:53:42 #789 Life is very lonely when there is no one who really cares.
00:53:47 #790 Then you mean that you and I... that we...
00:53:51 #791 You like me a little bit, don't you?
00:54:03 #792 Oh, yes, of course I do.
00:54:05 #793 But Larry, I was thinking about Mother and her plans for my movie career.
00:54:20 #794 And now I'm going to get married with her.
00:54:23 #795 Married? Married?
00:54:26 #796 I'm going to marry.
00:54:28 #797 Why, I...
00:54:30 #798 Why, marry?
00:54:32 #799 Oh, Mr. Mitchell.
00:54:34 #800 What are you trying to do? Kid me?
00:54:37 #801 What are you trying to do? Kill me?
00:55:02 #802 Don't be anything less of me.
00:55:04 #803 She's my Elvira. Elvira.
00:55:12 #804 Please, listen, I'll go away.
00:55:14 #805 I'll go away, but don't cry. Don't cry.
00:55:16 #806 Please, now please, please.
00:55:18 #807 You ought to be ashamed of yourself.
00:56:16 #808 Oh, shut up.
00:56:18 #809 Monkey business with a nice girl like Elvira.
00:56:20 #810 Oh, less noise.
00:56:23 #811 I thought you was a smart fella.
00:56:25 #812 And so did I.
00:56:27 #813 But we're both wrong.
00:56:28 #814 You'll never see Elvira again. I promise you that.
00:56:34 #815 Oh, listen, listen, don't go. Come here.
00:56:36 #816 Come here. Come down here.
00:56:38 #817 What do you want?
00:56:38 #818 Please, come here. I want to talk.
00:56:40 #819 Just a minute.
00:56:43 #820 You think I'm a scum, don't you?
00:56:45 #821 But what do you think?
00:56:47 #822 I think you're right.
00:56:49 #823 No, no, no. Please, sit down.
00:56:53 #824 I don't think I forgive you for what happened tonight.
00:56:56 #825 I don't.
00:56:59 #826 I'm partly ashamed of myself already.
00:57:01 #827 You ought to be.
00:57:03 #828 You know,
00:57:05 #829 summer night,
00:57:07 #830 moonlight,
00:57:09 #831 propinquity.
00:57:11 #832 Huh?
00:57:13 #833 Propinquity.
00:57:14 #834 I don't believe it.
00:57:16 #835 And if it was, it was all on your side.
00:57:21 #836 Yeah.
00:57:22 #837 And when any girl's as sweet as Elvira.
00:57:24 #838 She is sweet, isn't she?
00:57:27 #839 She's so sweet, she went to my head.
00:57:30 #840 Have you ever had that happen to you?
00:57:32 #841 Oh, no, no.
00:57:39 #842 Come on, man to man.
00:57:41 #843 No.
00:57:43 #844 Just a little.
00:57:45 #845 Only once, only once.
00:57:47 #846 I thought so.
00:57:48 #847 Tell me about it.
00:57:49 #848 I was awful young and inexperienced.
00:57:56 #849 It was Sheriff Williams' daughter, Susie.
00:57:59 #850 Williams' daughter Susie. And don't tell him why I plunk at this, will you?
00:58:04 #851 Oh, no.
00:58:07 #852 And I took her home from an ice cream social, and I guess I had one too many
00:58:13 #853 vanilla's. I kissed her on the back porch.
00:58:19 #854 Gee, she cried, cried, carried on. It was terrible.
00:58:23 #855 I never forgave myself for it. It's the only stain on my
00:58:29 #856 Eskutchen.
00:58:31 #857 Oh, no, no, no.
00:58:34 #858 Nothing ever become of it.
00:58:35 #859 See, it happens to you, too.
00:58:39 #860 Yeah. I guess all men are base.
00:58:42 #861 Yeah, I guess they are.
00:58:44 #862 You know, I like you.
00:58:48 #863 Oh, yeah. I could feel that.
00:58:53 #864 You did me a tremendous favor tonight.
00:58:56 #865 How?
00:58:57 #866 Well, I don't think you'd understand.
00:59:00 #867 But you put me wise to myself for the first time in my life.
00:59:04 #868 I'd like to do something for you.
00:59:06 #869 I think I'll take you over to the studio and have a screen test made of you.
00:59:09 #870 Oh, but actin', I'm afraid.
00:59:11 #871 Just a fella from Kansas.
00:59:14 #872 There's no experience.
00:59:16 #873 Romance, daishin'.
00:59:18 #874 Listen, I'll let you in on a secret.
00:59:22 #875 I'm from Kansas myself.
00:59:24 #876 You're from Kansas?
00:59:26 #877 Abilene.
00:59:28 #878 You're from Abilene, Kansas?
00:59:30 #879 Well, I used to go there quite often, seeing that of mine.
00:59:33 #880 Do you ever hear the Swartz's?
00:59:35 #881 The Swartz's?
00:59:36 #882 Yeah.
00:59:38 #883 They had a butcher shop.
00:59:39 #884 Yep.
00:59:40 #885 Had a freckle-faced kid named Heiney.
00:59:43 #886 Yep.
00:59:44 #887 The Henriist.
00:59:45 #888 Fresh.
00:59:47 #889 That was me.
00:59:49 #890 No.
00:59:50 #891 You're Heiney Swartz?
00:59:53 #892 You don't remember me?
00:59:55 #893 Elmer Butts?
00:59:56 #894 Used to call me Runt.
00:59:59 #895 Runt Butts?
01:00:00 #896 Yeah.
01:00:01 #897 Oh, I caught a hook and claw from you.
01:00:05 #898 Oh, I remember you were the guy who got locked up
01:00:07 #899 in my old man's icebox.
01:00:09 #900 Yeah, yeah.
01:00:11 #901 First fresh meat he'd had in there in years.
01:00:15 #902 Oh, and did I beat you, Huskin Corn?
01:00:17 #903 Did you beat you, never beat me, Huskin Corn? Every time.
01:00:20 #904 Beat you, if we had corn right here, I could prove it to him.
01:00:23 #905 I was world's champion.
01:00:26 #906 That is a pick-way county anyhow.
01:00:29 #907 And ready? Go.
01:00:33 #908 Here's the routine. You grab him.
01:00:42 #909 Slap on the face.
01:00:44 #910 Now, gouging.
01:00:46 #911 If by any chance, finger gets in his eye, that's all right.
01:00:54 #912 Hold it. Good. Good for a laugh.
01:00:56 #913 Now then, you grab him.
01:00:58 #914 One, two, around, on his neck.
01:01:02 #915 Put on neck.
01:01:04 #916 Now then, just as big as you can make it,
01:01:06 #917 majestically, I'm going to grab him.
01:01:09 #918 I'm going to grab him.
01:01:10 #919 I'm not going to see your face again.
01:01:12 #920 Never.
01:01:13 #921 Would you try it?
01:01:14 #922 All right.
01:01:15 #923 Now, take your time.
01:01:16 #924 Make it easy.
01:01:19 #925 No, no.
01:01:20 #926 You won't do it.
01:01:23 #927 I'm sorry.
01:01:24 #928 No.
01:01:46 #929 I have a queen that can dominate the scene.
01:01:48 #930 Somebody with voice.
01:01:51 #931 Listen.
01:01:52 #932 Oh, come here.
01:01:53 #933 Have you got a voice?
01:01:55 #934 A big one?
01:01:56 #935 All right.
01:01:57 #936 Fine.
01:01:58 #937 Now, you've been listening?
01:01:59 #938 You know the business?
01:02:00 #939 All right.
01:02:01 #940 Now, start it.
01:02:02 #941 I'll send over to the police.
01:02:04 #942 All right, now.
01:02:06 #943 Start it. I'll sit over here.
01:02:08 #944 Now, take your time. Go ahead.
01:02:09 #945 Ich will nie mehr dein Gesicht widersägen.
01:02:29 #946 Nimmer!
01:02:30 #947 Ich will nie mehr dein Gesicht widersägen.
01:02:33 #948 Nimmer!
01:02:34 #949 No, no.
01:02:36 #950 It's got to be English.
01:02:38 #951 German she is.
01:02:39 #952 A German queen.
01:02:41 #953 I've got to have somebody with a voice that can speak English.
01:02:44 #954 Come here, bud. Listen.
01:02:46 #955 Come here.
01:02:47 #956 You see, there's no snap to the scene.
01:02:49 #957 They don't give you anything. There's no attack.
01:02:51 #958 There's nothing to it.
01:02:52 #959 I finally succeeded in getting her mother on the phone.
01:02:56 #960 Oh, well, that's all right then,
01:02:57 #961 because if you got her mother on the phone
01:02:59 #962 and talk movie contracts, they'll be right over.
01:03:01 #963 You'll fight right there. Anything else, sir?
01:03:04 #964 No, no, that'll be all thanks. Thank you, sir.
01:03:06 #965 Now, come on. You can do it. All right.
01:03:09 #966 Come here. Come back.
01:03:17 #967 Oh, bigger. Wait a minute. Wait a minute. Bigger.
01:03:20 #968 Good. That's it. Now, gauze him.
01:03:26 #969 Around. Around.
01:03:28 #970 She's breaking my heart.
01:03:41 #971 You can dominate it. Listen.
01:03:48 #972 We'll stay here all night till we get it.
01:03:50 #973 I'll try every one of them.
01:03:51 #974 We'll stay here and you'll have supper here at the studio.
01:03:54 #975 Listen, I want you to get out of the casting director
01:03:57 #976 and get them to send up 10 or 15 big women with voices.
01:04:01 #977 Big.
01:04:02 #978 Don't you sit down, Dr. E. Isn't it pretty?
01:04:06 #979 Oh, my. I think it's lovely.
01:04:08 #980 I'm happy to know.
01:04:09 #981 Well, how do you...
01:04:11 #982 I...
01:04:12 #983 Now look here, young man.
01:04:13 #984 I'm a woman of very few words and actions.
01:04:16 #985 Yes, I found that out.
01:04:17 #986 I didn't get a chance to tell you what I thought about you the other night.
01:04:20 #987 You should have told me before you knocked me cold.
01:04:22 #988 Yes. Well, I want to tell you this.
01:04:25 #989 I want you to stop trying to get in touch with my daughter.
01:04:28 #990 And I want you to stop telephoning her or attempting it
01:04:31 #991 any way in the world to get in touch with her.
01:04:33 #992 I never want to see your face again!
01:04:36 #993 Who's that?
01:04:39 #994 Wait. Go get her.
01:04:41 #995 Get her. That's the boy. That's the one.
01:04:44 #996 No, my dear. My dear Mrs. Plunkett.
01:04:47 #997 Dear Mrs. Plunkett, don't you dare to talk to me.
01:04:50 #998 I'm sorry, but Mr. Burton would like to see you.
01:04:53 #999 Who's Mr. Burton?
01:04:54 #1000 The director. He's waiting for you in the next set.
01:04:56 #1001 Oh, Mr. Burton, the director.
01:04:58 #1002 He wants to talk to me for a seat.
01:05:01 #1003 I knew you were going to get a break.
01:05:03 #1004 They were right back home when they said I was an optimist.
01:05:08 #1005 Please.
01:05:09 #1006 I wouldn't go with your mother just now if I were you.
01:05:14 #1007 They might want to talk business with us.
01:05:17 #1008 Or maybe they have a phonograph record they want to be here.
01:05:20 #1009 Oh, Elvira, please.
01:05:26 #1010 I want to talk to you.
01:05:27 #1011 Well, I'm not the least bit interested in anything you have to say.
01:05:33 #1012 You're going to sit there and listen to me
01:05:34 #1013 if I have to nail you to that bench.
01:05:36 #1014 Why?
01:05:37 #1015 Aren't you the big rough movie hero?
01:05:46 #1016 Elvira, I know I made the biggest mistake of my life
01:05:50 #1017 the other night.
01:05:51 #1018 And it would serve me right if you never saw me again.
01:05:56 #1019 But you will see me again, won't you?
01:05:58 #1020 Not if I can help it.
01:05:59 #1021 Well, come on, Elvira, be a sport.
01:06:02 #1022 I suppose you make violent love to every girl you meet.
01:06:05 #1023 Maybe I do, but I've never meant it before.
01:06:07 #1024 Ready for Larry Mitchell?
01:06:08 #1025 Go away, I'm busy. Oh, you better go.
01:06:10 #1026 They're waiting for you.
01:06:11 #1027 I'm not going to budge from this spot
01:06:12 #1028 until you tell me you've forgiven me.
01:06:13 #1029 Come on, Larry, let's go.
01:06:15 #1030 You're holding up the whole place.
01:06:16 #1031 All right.
01:06:18 #1032 And don't you move from here till I get back. Just the type.
01:06:27 #1033 You'll be marvelous. Fine.
01:06:28 #1034 Now look, can you do this?
01:06:36 #1035 I never want to see your face again. Never.
01:06:39 #1036 Now, can you do that?
01:06:40 #1037 Can I do that?
01:06:41 #1038 You just watched me.
01:06:43 #1039 I never watched!
01:06:59 #1040 You can have the part.
01:07:00 #1041 I don't know what you're talking about, but I...
01:07:02 #1042 Just a minute.
01:08:03 #1043 You're not nervous, Mr. Butz, are you?
01:08:08 #1044 No, I feel all right.
01:08:09 #1045 That's fine, because you know this is your first big scene,
01:08:12 #1046 and there's one thing I want you to remember.
01:08:14 #1047 Never, never look in the camera when anybody speaks to you.
01:08:17 #1048 Wait for the reaction and answer them.
01:08:19 #1049 If a piece of scenery or a prop should fall on you during the action,
01:08:22 #1050 keep right on going as if nothing happened.
01:08:24 #1051 You know, of course, the barrel of dough to line up and shoot it over again.
01:08:27 #1052 If you forget your lines, say anything funny.
01:08:29 #1053 It's a comic opera.
01:08:30 #1054 Remember the queen, respect her, remember the little girl,
01:08:32 #1055 like her, remember Volvo theorem, remember the king.
01:08:36 #1056 Hate him!
01:08:37 #1057 Don't forget your music cues.
01:08:39 #1058 Don't sing any flat notes, and don't smear your makeup,
01:08:42 #1059 and keep those laughs running.
01:08:45 #1060 You're not nervous, are you, Mr. Butts?
01:08:48 #1061 No. That's fine.
01:08:50 #1062 Don't pay any attention to that, Mr. Butts.
01:08:52 #1063 Pick it up, pick it up, give him his hat.
01:08:55 #1064 You're right, Mr. Butts.
01:08:57 #1065 All right, never mind brushing your nose.
01:08:59 #1066 OK, Mr. Butts.
01:09:00 #1067 Let's go, Mr. Butts.
01:09:01 #1068 Anything the matter?
01:09:03 #1069 Well, what do I do first?
01:09:06 #1070 Whatever mind you'll do it, boy.
01:09:08 #1071 Get up there.
01:09:09 #1072 You'll knock them in the aisles when it plays the theater.
01:09:12 #1073 What's the matter with you, mugs?
01:09:13 #1074 Why didn't you get that bow so early?
01:09:15 #1075 Get him.
01:09:30 #1076 One clown coming up on your knees, please.
01:09:37 #1077 I now crown you king of the land of mission.
01:09:44 #1078 Alakazam, Alakazam, Alakazam.
01:09:50 #1079 Go!
01:09:52 #1080 And take Mimi with you.
01:09:53 #1081 Come, dear. Come, Mimi.
01:10:04 #1082 My, but you're beautiful.
01:10:08 #1083 Oh, Queen.
01:10:09 #1084 Oh, King!
01:10:10 #1085 It's kingdom is deplorable.
01:10:19 #1086 We're always in a crowd.
01:10:22 #1087 Oh, Queen, you're so adorable.
01:10:25 #1088 If you wish to tell me of your love companion of my
01:10:33 #1089 Oh I do why do I do I do then wait
01:10:39 #1090 Till we're alone
01:10:43 #1091 Let me whisper something
01:10:49 #1092 Oh
01:10:56 #1093 You know I think you're
01:11:00 #1094 Oh, shit.
01:11:01 #1095 Oh.
01:11:02 #1096 Now, if I should...
01:11:03 #1097 But there's one thing I won't tell.
01:11:10 #1098 Oh, I mean to...
01:11:13 #1099 Ah.
01:11:14 #1100 Oh.
01:11:15 #1101 Now, look, tonight we'll sort of...
01:11:23 #1102 Oh, shit.
01:11:38 #1103 Oh, King!
01:11:40 #1104 Oh, Queen.
01:11:44 #1105 But remember, I won't...
01:11:54 #1106 Queen.
01:11:55 #1107 King.
01:11:57 #1108 You forget that I am...
01:12:01 #1109 And what's more?
01:12:03 #1110 And you forget we...
01:12:07 #1111 Three times before.
01:12:09 #1112 Well, and I think you're just...
01:12:10 #1113 Oh, yeah!
01:12:12 #1114 Wonderful.
01:12:13 #1115 I don't see how you'd do it.
01:12:15 #1116 Oh, acting's easy.
01:14:25 #1117 Just like tying a horse up with a cinch.
01:14:29 #1118 You're going to be a great big movie star someday.
01:14:33 #1119 Oh, so could you, Elbair, if you'd only try.
01:14:36 #1120 I guess the movies aren't for me.
01:14:39 #1121 Oh, you're a lovely and beautiful.
01:14:41 #1122 Gee, you'd be great.
01:14:43 #1123 No.
01:14:44 #1124 You've got to have a gift for me.
01:14:46 #1125 No, you've got to have a gift for pretending.
01:14:49 #1126 And I just couldn't pretend.
01:14:52 #1127 Oh, Elma, I'm out of place here.
01:14:54 #1128 I didn't want to come, but it was Mother's idea.
01:14:58 #1129 I'd never make a go of the movies.
01:15:01 #1130 I could never be happy making believe all my life.
01:15:05 #1131 What would you say if a certain movie star
01:15:09 #1132 proposed to you?
01:15:12 #1133 Proposed?
01:15:14 #1134 Yeah, ask you to marry him.
01:15:17 #1135 I'm afraid no movie star would want me.
01:15:21 #1136 Well, I know a father that thinks more of you in all the pictures and studios in California.
01:15:28 #1137 Think so?
01:15:33 #1138 A dog going to the heat's a goofy about you, you don't know where to hang his shoe up.
01:15:37 #1139 Oh, Alma.
01:15:39 #1140 He's been on the verge of asking you for a long time.
01:15:42 #1141 Well, then why doesn't he?
01:15:44 #1142 Well, you're afraid he wouldn't be accepted.
01:15:48 #1143 But a little encouragement, and he'd ask you in a minute.
01:15:52 #1144 Where is he now?
01:15:54 #1145 Oh, he's not very far away.
01:15:57 #1146 But he never said a word to me about marriage.
01:16:03 #1147 Well, bashful, maybe.
01:16:06 #1148 After all, it's a familiar thing to talk about.
01:16:10 #1149 Well, what are I to do?
01:16:12 #1150 Well, I'd wait until the...
01:16:17 #1151 Wait till he played the scene he's gotta do.
01:16:20 #1152 And when he comes off, I'd go up and give him a nice, sweet smile.
01:16:24 #1153 And I think he'd know.
01:16:26 #1154 Do you think he'd understand?
01:16:30 #1155 Well, he ain't so dumb, even if he isn't movies.
01:16:35 #1156 But I think he would.
01:16:37 #1157 I'd try it.
01:16:39 #1158 I'm going to do it.
01:16:41 #1159 Oh, Elma, I owe you such a lot.
01:16:43 #1160 You're just wonderful.
01:16:46 #1161 Oh, Elvira.
01:16:47 #1162 All right, all right, get ready for this.
01:16:48 #1163 Now, here, I take...
01:16:49 #1164 Here, what are you doing there, sitting in those wet clothes?
01:16:51 #1165 Now, come on. Look, you've got to change into this, uh,
01:16:54 #1166 Colonel's outfit here for the Xavier.
01:16:55 #1167 Come here. Look, look, lay off this comic.
01:16:57 #1168 Now, look, you... You were very good my first, I swear.
01:16:59 #1169 The wet you want now for the second time.
01:17:14 #1170 Come on, is there any hope here?
01:17:16 #1171 Are you all set?
01:17:17 #1172 All right, sir.
01:17:18 #1173 All right. They're turning over.
01:17:20 #1174 I walked a mile to get that.
01:17:39 #1175 It's fine as me. You'll marry me.
01:18:15 #1176 I'm going to get it.
01:18:17 #1177 In the desert, we're in a harem.
01:18:25 #1178 You're down here, I'll whisper something to you.
01:18:27 #1179 I'm going to give Queenie the slip.
01:18:41 #1180 Take you with me back to Brooklyn.
01:18:43 #1181 What, Brooklyn?
01:18:45 #1182 Huh?
01:18:46 #1183 What, Brooklyn?
01:18:48 #1184 All this.
01:18:50 #1185 On the left-hand side, he's a drive-in.
01:18:52 #1186 Why?
01:18:54 #1187 Who started this?
01:18:56 #1188 Look, lots of aviators don't make much money.
01:18:59 #1189 I'll have to put you to work.
01:19:01 #1190 money I'll have to put you to work. I can dance. Let's see. No, no, they don't do that no more.
01:19:13 #1191 No, I'll tell you about a dance though. You'll like it. That's good. All the boys with high blood pressure,
01:19:21 #1192 all the girls will do much pleasure day as come at last.
01:19:25 #1193 Here's a dance you four walled flowers.
01:19:28 #1194 Once you try you'll dance for hours.
01:19:31 #1195 I'll explain it to you best.
01:19:35 #1196 The wind's tappin'.
01:19:38 #1197 Follow me and do.
01:19:42 #1198 Up, free and easy.
01:19:45 #1199 Spear the floor with wax.
01:19:47 #1200 You let yourself relax.
01:19:48 #1201 Loosen up your back.
01:19:50 #1202 Free and easy.
01:19:53 #1203 You're back free and easy.
01:19:58 #1204 Start out breezy.
01:20:00 #1205 You let your elbows slag you, let your poopsies drag you.
01:20:03 #1206 It's like you had a jacket free and easy.
01:20:07 #1207 Brave men, slave men, one foot in the grave,
01:20:11 #1208 men, grab yourself a partner now.
01:20:14 #1209 Show girls, slow girls, never had a foe.
01:20:17 #1210 Girls, here's your only chance at how, if you please it.
01:20:22 #1211 While a music plays, you can dance for days to this lazy craze.
01:20:28 #1212 Free at ease.
01:20:31 #1213 Don't lie to me, young woman.
01:24:56 #1214 I think you've been chiseling on your peace, hunrides.
01:25:02 #1215 We won't go into that again.
01:25:15 #1216 Many people get killed going up.
01:25:28 #1217 Oh, nobody ever got killed going up.
01:25:32 #1218 My lawyer's up there. I'm going up.
01:25:35 #1219 The worst comes to the worst. Save the last bullet for yourself.
01:25:44 #1220 Pumpkin!
01:25:45 #1221 First smile I've seen since since home Larry I forgot no lot now you mean you
01:27:31 #1222 forgiven me. You only knew how miserable I thought you poor kid but Elmer explained
01:27:43 #1223 everything you tell me how miserable you've been made me so happy. Oh she is
01:27:49 #1224 not great we both been with miserable. You're made nothing to it you'll get
01:27:55 #1225 a contact to knock your eye out I will get good luck to your kid you're a great
01:28:00 #1226 comedian boy keep that out were you married me tomorrow tonight now or you hear
01:28:22 #1227 what the man said the man said I was a big comedian and I was going to get a big
01:28:27 #1228 contract and everything is great she that means we can
01:28:30 #1229 Oh, Elma, isn't it wonderful?
01:28:32 #1230 And I smiled just like you told me to.
01:28:35 #1231 Smiled?
01:28:38 #1232 Congratulations, Elma.
01:28:39 #1233 I'm the luckiest fellow in the world.
01:28:41 #1234 And I'm the happiest girl, Elma.
01:28:43 #1235 We're going to be married.
01:28:45 #1236 And Elma, you know, it was awfully decent of you
01:28:56 #1237 to tell her what you did.
01:28:57 #1238 I only meant to tell her.
01:29:02 #1239 I know you were going to tell me that Larry loved me all the time.
01:29:05 #1240 Come on, now. Come on, everybody.
01:29:07 #1241 Come on, get ready for this big number. Listen, Joe,
01:29:09 #1242 Joe, you're ready for the big finale.
01:29:10 #1243 But come on, get this.
01:29:11 #1244 Oh, listen, Elmer.
01:29:13 #1245 Elmer, listen.
01:29:14 #1246 Put this thing over for me again, will you?
01:29:16 #1247 I've got to finish this thing with a big laugh.
01:29:18 #1248 Now look, give it everything you've got.
01:29:20 #1249 I'm depending on you now.
01:29:21 #1250 Make it funny, will you?
01:29:22 #1251 Now, come on, hurry up.
01:29:23 #1252 Oh, Larry, come on.
01:29:24 #1253 Let's get makeup for the big finale.
01:29:25 #1254 Hurry up. Hurry up. Just a minute.
01:29:26 #1255 Don't get too much in that spot.
01:29:28 #1256 I'll be back in two minutes.
01:29:29 #1257 And you're going to be my best man.
01:29:38 #1258 Bonnie.
01:29:51 #1259 Aren't you going to even congratulate me?
01:29:56 #1260 Well, if you're not going to kiss me, then
01:30:06 #1261 Elmi, you're a scream!
01:30:09 #1262 Now I'm just going to sit right here and watch your next scene.
01:30:13 #1263 And you'd better make me laugh.
01:30:32 #1264 Oh, Queen.