AI-made — please help correct faster-whisper small int8 + clean-pass
A machine made this from the film's audio. Names, old slang and songs are where it slips. If you spot a mistake, send the line number and the right words below — every correction makes the next transcript better.
Other tracks: en · AI-made — please help correct
00:04:29 #1 No, it's not boy, it's a party.
00:04:30 #2 It's a big out party.
00:04:33 #3 Mrs. Pink's daughter.
00:04:36 #4 She's a debutante.
00:04:38 #5 Good.
00:04:39 #6 That's a great, such a nice look.
00:04:41 #7 Making jokes all the time, Mrs. Ginsburg.
00:04:45 #8 George, you've been singing that song.
00:04:46 #9 To buy something.
00:04:51 #10 We're ready since early this morning.
00:04:57 #11 Play me the mother song.
00:04:58 #12 Ready to take a chance.
00:06:28 #13 Maybe it's an irony.
00:06:29 #14 Is that for you?
00:06:56 #15 No, I won't buy it today.
00:07:00 #16 Boy like Georgey is.
00:07:03 #17 I bet if he had a chance, he'd
00:07:04 #18 You'll be the biggest facts in the world.
00:07:06 #19 The finest performance.
00:09:55 #20 You later, boys. I'd like to get in to see the old man.
00:10:08 #21 What?
00:10:42 #22 Miss him.
00:10:43 #23 Well, what do you want?
00:10:45 #24 I would like to see Mr. Ziegberg.
00:10:47 #25 How can he be out all the time?
00:10:52 #26 I come here every day, so he's always out.
00:10:55 #27 So when will he be back?
00:10:57 #28 He won't be back.
00:10:59 #29 I'll wait. 8 to 30 tonight.
00:11:15 #30 You don't have to look at that, hun track.
00:11:22 #31 Good sign.
00:11:24 #32 We don't have to put that in the contract.
00:11:27 #33 You leave it to me and everything will be all right.
00:11:31 #34 Good morning.
00:11:32 #35 Who let you in?
00:11:33 #36 I let myself in.
00:11:34 #37 Well, let yourself out.
00:11:39 #38 Now listen, Mr. Ziegberg, I don't want to appear fresh,
00:11:46 #39 but I wish you'd give me a chance.
00:11:48 #40 I'm coming to your office for weeks and weeks,
00:11:51 #41 or I never can get in to see you.
00:11:53 #42 I'm not going to be here.
00:11:55 #43 I've been in the office for weeks and weeks, and I never can get in to see you.
00:11:58 #44 I just want to show you what I can do on the stage.
00:12:01 #45 I can play any kind of a part.
00:12:03 #46 Honestly.
00:12:04 #47 Look, I can play comedy.
00:12:06 #48 Isn't that good?
00:12:11 #49 Tragedy.
00:12:13 #50 Anything you like I can do.
00:12:15 #51 Please, Mr. Ziegberg.
00:12:16 #52 Here. How would you like to hear a drama?
00:12:18 #53 I play all the parts myself.
00:12:20 #54 Here's a sample.
00:12:21 #55 I don't know you either.
00:12:25 #56 Get out.
00:12:26 #57 Oh, Mr. Ziegberg.
00:12:36 #58 Sorry, C.
00:12:37 #59 Someday I'll be a big star.
00:12:40 #60 I'll have my own theatre, too.
00:12:42 #61 I'll be different.
00:12:45 #62 I'll give young fellas a chance.
00:12:47 #63 It's time to contact.
00:12:59 #64 Can I get some money now?
00:13:01 #65 Sure.
00:13:02 #66 I'll tell you something else.
00:13:04 #67 I don't know whether I want to work for you or not.
00:13:07 #68 I saw one of your shows the other night.
00:13:10 #69 You're not so hot.
00:13:11 #70 Anything can happen in the show business.
00:13:19 #71 How did he get by your secretary?
00:13:21 #72 Oh, she was plowdering her nose, I guess.
00:13:23 #73 I guess. Why don't you fire her? I can.
00:13:30 #74 Ha ha ha.
00:26:19 #75 Thank we offer for your approval.
00:26:23 #76 Side down. I bet he's no good.
00:26:25 #77 I'll be high. Whether he's good or bad, he's still upside down.
00:26:29 #78 Quiet. The management has a real surprise for you.
00:27:28 #79 Two very clever little girls.
00:27:30 #80 The from hunger system.
00:27:33 #81 They sing and dance.
00:27:35 #82 They must be rough.
00:27:37 #83 Nevertheless they're going to sing and dance.
00:27:40 #84 Oh, I might add these two little girls are late of the Ziegfield Follies of 1901.
00:27:49 #85 His name is George Jessel.
00:29:12 #86 He's come out from the east to show us that he can entertain in the west.
00:29:17 #87 If he's good, he can stay in the west.
00:29:20 #88 If he's bad, he can go back east.
00:29:23 #89 He was right and saying that I'm from the East.
00:29:41 #90 It's the first time I've ever been out here in your country.
00:29:44 #91 And had quite a tough time getting out here too.
00:29:47 #92 I came out in one of the new Ford cars.
00:29:52 #93 It's all right for me to mention Ford
00:29:54 #94 because he apologized.
00:29:56 #95 But what I wanna say is this,
00:29:58 #96 the new Ford is really a very, very wonderful
00:30:01 #97 little motor car.
00:30:02 #98 And I don't really think that Mr. Ford deserves
00:30:05 #99 all the credit himself for making the car.
00:30:07 #100 His son Epsom, I think he had a great deal to do with it.
00:30:12 #101 Oh, you mustn't care about Epsom because he's the salt of the earth.
00:30:16 #102 Cover!
00:30:17 #103 It's a great little car and it has all the expensive things that the more high-priced cars have.
00:30:26 #104 It has all the new light effects, the new gas effects and everything.
00:30:30 #105 There's only one trouble with it.
00:30:32 #106 If you speak Jewish in the backseat, it stops immediately.
00:30:35 #107 I live in the Bronx, which some of you may know is a suburb of New York City, and there's
00:30:49 #108 an Irish family that live on my block, of course I don't know how they got on my block, but
00:30:53 #109 anyhow, right above them lives an old gentleman by the name of Goldfab, Spaniard.
00:30:59 #110 This fellow Goldfab is one of those old fellows who came over here from the other side and he went up the Bronx and he settled there.
00:31:09 #111 Not with everybody, but that is, I mean, he has spent the majority of his years right up in the Bronx.
00:31:15 #112 Never once did he come down to Broadway to see anything of the gait and white light of the city.
00:31:20 #113 But his son was very much different. His son made a great deal of money during the war, I believe,
00:31:25 #114 selling raincoats to the government or some such silly trade.
00:31:28 #115 However, the son came home one afternoon to his father.
00:31:30 #116 He says,
00:31:31 #117 You've never seen anything much of life.
00:31:33 #118 Tonight, I'm going to show you a real treat.
00:31:35 #119 I'm going to take you down to the winter garden.
00:31:37 #120 You're going to see 30 or 40 of the most beautiful girls in the world.
00:31:40 #121 Daddy, I know you'll enjoy the show.
00:31:42 #122 The old man says,
00:31:43 #123 Well, so he fixed himself all up.
00:31:45 #124 And they went down to the garden.
00:31:48 #125 And, ladies and gentlemen,
00:31:49 #126 at the winter garden, as you may know,
00:31:51 #127 there is a large runway, a staircase,
00:31:53 #128 which protrudes from the center of the stage
00:31:55 #129 and goes almost to the back of the auditorium.
00:31:58 #130 The management have that there so the girls should come in closer contact with the jewelry salesman.
00:32:03 #131 However, the old man and his son are sitting in about the fourth row
00:32:07 #132 and the music plays these lovely girls come tripping out throwing pretzels or something.
00:32:12 #133 I don't remember what it was.
00:32:14 #134 Anyhow, the old man looks up at these 30 or 40 beautiful girls and he says,
00:32:18 #135 says Fui. Now of course, ladies and gentlemen, Fui in a certain language means that it's
00:32:26 #136 not so good. So, the sun, the sun is naturally astonished to his father's attitude. It's
00:32:34 #137 his father how can you look at 30 or 40 of the most beautiful girls in the world and
00:32:38 #138 say Fui. The old man says I was thinking of my wife.
00:32:46 #139 We've seen a great many things here this evening, ladies and gentlemen, and a lot of tricks and songs and dances.
00:32:52 #140 And with your permission, I'd like to sing a song that I've dedicated to my mother.
00:32:58 #141 And I just crave your indulgence.
00:33:05 #142 I'm a long, long way to my home folks, to my pal, to my old neighborhood.
00:33:14 #143 The ones that are out here, the gold wedged, is hoping that I'll make good.
00:33:25 #144 Maybe you folks won't like me. Maybe you'll treat me like you did the other act.
00:33:32 #145 You'll be on time. But that's alright.
00:33:36 #146 Because I know that there's somebody just to leave the team.
00:33:40 #147 That's the pattern I left behind.
00:33:46 #148 Let me tell you something.
00:33:50 #149 The world may call you failure, and the faith may grind you small.
00:33:56 #150 But folks in the eyes of your mother, you're as big and as great as them all.
00:34:04 #151 Maybe you would like my help.
00:34:06 #152 Maybe I'm a flop.
00:34:08 #153 When I know somebody that's praying for me, boys,
00:34:12 #154 I know that our prayers are going to bring me right to the top.
00:34:18 #155 God, Lord.
00:35:31 #156 You enjoy all of enjoying yourself,
00:35:36 #157 because I know that by the time the check comes, you'll faint.
00:35:39 #158 I've had a little request from a gentleman here
00:35:44 #159 who was heavenly in a very reminiscent mood,
00:35:47 #160 and I guess he's alone.
00:35:50 #161 And he wants me to sing a little song called
00:35:54 #162 A Bokeh of Memories.
00:36:01 #163 Life is just a garden filled with dreams
00:36:07 #164 Each dream a flower of yesterday
00:36:13 #165 I gather all these flowers in my dream
00:36:28 #166 In one bouquet of memories
00:36:57 #167 Among the lot, it's for a get-me-not
00:37:05 #168 My bouquet of a mass of a rare
00:38:02 #169 Of yesterday, George and Corn's Broadway
00:38:09 #170 In a my bouquet of memories
00:38:18 #171 We're passing Herald Square, Turnfield
00:38:24 #172 They're playing there
00:38:26 #173 I remember them, my memories
00:38:34 #174 That walking Robert Mantell and Sam Bernard what great artist
00:38:46 #175 Who's that with them?
00:39:01 #176 Mr. Mantell I've always admired you
00:39:05 #177 You were one of the greatest Shakespearean actors that ever lived. I've always wanted to be an actor
00:39:13 #178 But my father mr. Mantell never wanted to let me he's to come into my little room and say to me mold
00:39:20 #179 Hello, Georgie? Never go on the stage.
00:39:25 #180 What do you think, Mr. Mantel?
00:39:27 #181 The sweets are the uses of address today.
00:39:35 #182 Like the toad, ugly and venomous.
00:39:39 #183 Where's yet the precious jewel in his head?
00:39:42 #184 But Mr. Mantel, will I ever be an actor?
00:39:49 #185 To be or not to be your last. That is the question.
00:39:53 #186 Hello Mr. Bernard. How are you? What's new? What's new? Last night the Minouten bought a
00:40:03 #187 corn-beam sandwich in the lesson and they charged me two dollars for it. Years ago there wasn't
00:40:09 #188 a man strong enough to the whole world could live two dollars worth of corn-beam. Any boy?
00:40:17 #189 I'll introduce myself. I'm Georgie Dessau. Hello young fella. You finished
00:40:25 #190 Goodbye, little kid.
00:40:26 #191 I was here to make you.
00:40:28 #192 Goodbye, Mr. Mantell.
00:40:33 #193 Goodbye, my son.
00:40:34 #194 Goodbye, Eddie Boyle.
00:40:38 #195 Goodbye, Georgie.
00:40:40 #196 Goodbye, Sam Bernard.
00:40:44 #197 Goodbye, kid.
00:40:46 #198 Save your money.
00:40:48 #199 All of these miles of a gun.
00:40:54 #200 Thank God.
00:40:55 #201 KPO, George Justwell announcing.
00:46:20 #202 I'm going to sing a little song
00:46:22 #203 of our dedicate to my mother, glistening in.
00:46:31 #204 I'm a guy that she told, who paved with gold.
00:47:12 #205 Mothers are, this is love.
00:48:00 #206 This is KPO San Francisco.
00:48:25 #207 This concludes our program for tonight.
00:48:28 #208 We are signing.
00:48:29 #209 Well, it got relative to it.
00:54:10 #210 Probably won't be able to start again
00:54:11 #211 until they put a quarter in to meet it.
00:54:16 #212 Lovely out here, isn't it?
00:54:18 #213 Oh, I think it's beautiful.
00:54:20 #214 Is there any one trouble we're sitting
00:54:21 #215 on the back of a train, though?
00:54:23 #216 come out nice, sweet and clean in a few minutes
00:54:26 #217 we look like the gold dust would.
00:54:28 #218 Well, let's go in and play bridge.
00:54:30 #219 Ah, no.
00:54:33 #220 Now let's stay out here and look at the beautiful moonlight.
00:54:43 #221 It's funny, it was here a minute ago.
00:54:45 #222 Let's make believe there is.
00:54:48 #223 Tonight time is always lovely.
00:54:51 #224 Tonight is always especially kind to people that are in love.
00:54:55 #225 There was a great Russian poet one time
00:54:58 #226 by the name of T. Effingham Rabinowitz,
00:55:02 #227 who's a very well-known poet.
00:55:04 #228 He wrote a beautiful thing about nighttime.
00:55:07 #229 He said, how sweet is the stillness of the night,
00:55:10 #230 when one can hear the drone of the Beatles,
00:55:13 #231 the trip of the little cricket,
00:55:15 #232 and the sweet songs of the baby sardines
00:55:18 #233 as they leap from can to can.
00:55:22 #234 Isn't that beautiful?
00:55:23 #235 He'd be glad to get back to New York.
00:55:28 #236 You will, eh?
00:55:29 #237 Well, you're lucky you've been traveling with your sister and a husband.
00:55:32 #238 Look at me, I haven't seen my folks for a long, long time.
00:55:36 #239 Georgie, when we get settled, you must come up and have dinner with us.
00:55:40 #240 Oh, I'd love to have dinner with your house.
00:55:43 #241 But I tell you something, I don't think your folks are so stuck on me.
00:55:48 #242 Oh, they're all right. They just never met anyone like you before.
00:55:53 #243 What am I, some kind of freak or something?
00:55:55 #244 Oh, you know what I mean.
00:55:57 #245 Oh, sure, I guess they're okay.
00:56:00 #246 But that fellow that hangs around with him, who is he?
00:56:04 #247 Why, he's known the family for years.
00:56:07 #248 He don't look kosher to me.
00:56:09 #249 What did you say?
00:56:11 #250 I say it's getting colder out here.
00:56:15 #251 Yes, it is getting rather chilly.
00:56:17 #252 Are you chilly, honey? You come right over to the stove.
00:56:21 #253 Georgie, I think you better sing something.
00:56:26 #254 Fine. Maybe I'd better.
00:56:33 #255 When my pal turned me down, you're the one pal I found.
00:56:41 #256 You're my real sweetheart.
00:56:47 #257 When the darkest day came, you smiled on just the same.
00:56:54 #258 You're my real, I'm gonna build you a loveless.
00:57:08 #259 That's all silver lines
00:57:10 #260 And I'll work and I'll slave
00:57:13 #261 For the things that you crave
00:57:16 #262 You're a real...
00:57:17 #263 Ain't that cute?
00:57:26 #264 That was lovely.
00:57:28 #265 Say, don't you all want your birth made up now?
00:57:32 #266 He would think of that, wouldn't he?
00:57:43 #267 Well, George, I think I'd better go inside.
00:57:46 #268 Alright.
00:57:47 #269 Then, love?
01:03:13 #270 Well, rather, it's very fortunate to us that Mr. Franklin had no trumps.
01:03:17 #271 I never held such bad cards for all my life.
01:03:21 #272 Good evening. Folks have a very lovely place here, haven't they?
01:03:28 #273 Yes.
01:03:31 #274 David, you hear this story about this?
01:03:32 #275 Yes. Apparently you know very little about Bridge.
01:04:06 #276 Oh, is this Bridge? I thought it was P. Knackle.
01:04:10 #277 It's for Gesso. Gesso.
01:04:17 #278 I beg your pardon. I'll be back later.
01:04:20 #279 For George, having his first starring vehicle get over,
01:15:09 #280 He's a lucky boy. Tell him I'll see him later in his dressing room.
01:15:18 #281 I'm going out and talk to the little ticket-sector.
01:15:21 #282 She doesn't seem to be enjoying the show so much. I don't think most of them paid.
01:15:42 #283 Nothing like them now. I've sung all the songs I know, told all the jokes.
01:15:51 #284 I was so nervous during the first act, I think I told one three times.
01:15:57 #285 Sing your mother's song.
01:15:59 #286 Nah, that's too old.
01:16:02 #287 Listen young fella, I've been hanging around the show business for 40 years.
01:16:07 #288 And the song about mother is never too old.
01:16:13 #289 You may be right.
01:16:14 #290 Thank you.
01:16:16 #291 Here baby, take this.
01:16:17 #292 Give me this.
01:16:18 #293 Thank you all.
01:16:31 #294 Great kindly for the way you received Lucky Boy.
01:16:34 #295 I want to thank Mr. Sigurd, my manager,
01:16:37 #296 for giving me this opportunity.
01:16:40 #297 Georgia and cold once said, the best way to finish,
01:16:44 #298 either wave a flag or introduce your mother.
01:16:47 #299 I haven't got one of George's flags, so I'll introduce my mother to the fourth row.
01:17:02 #300 She's right there, right behind those people who paid.
01:17:05 #301 Mama, I'll see you after.
01:17:10 #302 I swagger, but shine my way.